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THE 12TH COMMANDMENT

The disparate elements of this ambitious mashup may make it difficult for it to find its ideal readers.

Heavily armed Jewish mystical cult meets weed-legalization conspiracy meets renewed college love affair meets ecstatic highs of various persuasions.

"Zeke turned onto Shabbetai Road, where he encountered all at once: an RV with an immense airbrushed painting of the face of Nathan Fritzman, Natan of Flatbush, Hebrew lettering atop the image; two trailer homes in the near distance; a single two-story colonial set back from the road; and in front of each of these buildings, men in traditional Hasidic garb carrying automatic rifles." Following his exploration of a splinter social movement in Boomer1 (2018), Torday dives deep into the beliefs, text, practices, and marijuana operation of an imaginary Jewish cult with ties to both the Satmar of New York and the Dönme, Turkish Jews who feigned conversion to Islam. His protagonist, Ezekiel “Zeke” Leger, is a New York–based journalist and magazine editor who travels back to Central Ohio for the funeral of a college friend. Shortly after he arrives, an Uber driver suggests he investigate the story of Nathan Fritzman, a Jewish cult leader currently jailed for the murder of his 16-year-old son. Turns out Zeke's college girlfriend, Johanna Franklin, was the lead prosecutor for the state. Those who are interested in the revival of the love affair between Zeke and Johanna, who met as undergrads at William James College, an Oberlin look-alike, may be less interested in the mystical and unconventionally punctuated writings of Natan of Flatbush concerning the tenets of Ein Sofism, which are included here at some length. Those who are following the investigation of the murder of Fritzman’s son and its connection to the various groups fighting tooth and nail for control of legalized weed in Ohio may find themselves floundering during extended descriptions of drug-induced experiences. But through it all, Torday’s redoubtable novelistic chops produce a steady stream of strong dialogue and sharply drawn scenes.

The disparate elements of this ambitious mashup may make it difficult for it to find its ideal readers.

Pub Date: Jan. 17, 2023

ISBN: 978-1-2501-9181-6

Page Count: 304

Publisher: St. Martin's

Review Posted Online: Sept. 27, 2022

Kirkus Reviews Issue: Oct. 15, 2022

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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