A warm and relatable tale told with heart.
A family goes home again.
It’s time to move yet again, but Esmerelda’s used to it, because her dad’s in the military. This time, they’ll be relocating from Germany back to San Antonio. That should be good news, because the rest of Esmerelda’s extended familia lives there, but she isn’t nearly as excited as her sister, who was born there. After all, Esmerelda’s never been to San Antonio; that’s not her home! After packing everything up, they move to temporary lodging on the base and say adios to the friends they’ve made in Germany. Once they land in the U.S., they’re greeted by loved ones, right off the plane. Everyone is curious about Esmerelda, but the only one she recognizes is her Abuela. Esmerelda doesn’t feel like she belongs. Until…Tío George puts on Tejano music. Hearing a song by her beloved Selena, Esmerelda starts dancing, and everyone joins in. At last, she feels at home. Esmerelda’s a charming protagonist struggling with an issue that will be familiar to many readers, whether they’ve moved frequently or not: feeling out of place with family they’re not yet close with. Spanish words are interspersed throughout, while Lechuga’s crayonlike art brims with detailed spreads and harmonic colors full of movement. Esmerelda and her family are brown-skinned and Latine.
A warm and relatable tale told with heart. (author’s note, photos) (Picture book. 4-8)Pub Date: May 13, 2025
ISBN: 9781623543907
Page Count: 32
Publisher: Charlesbridge
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Visually sweet, though hampered by disjointed storytelling.
In this picture book from Fox News journalist Hall, a young hedgehog must find a way to protect his community when peril looms.
Hedgehog and his father both have busy days ahead. Dad’s on his way to the newspaper to report “what new news the news brings.” Hedgehog packs his backpack for an adventure, mindful of Dad’s rules: “Don’t talk to strangers” and “never ever cross the river alone.” Obeying the rules proves difficult when Hedgehog notices commotion on the other side of the river: A bear is hungrily eyeing Baby Owl, who’s fallen from her tree. With creative thinking, Hedgehog frightens off the bear and alerts Mama Owl, but the predator is still at large. So Hedgehog and Mama Owl create flyers to warn the forest residents. Though Motzo’s airy illustrations are pleasing—particularly the adorably animated Hedgehog, a tribute to Hall’s own children—the narrative feels bogged down with multiple themes as it attempts to explore the power of the written word, the importance of community, and the need to adhere to a parent’s rules. When Hedgehog apologizes for his apparent disobedience, Dad explains that Hedgehog never actually broke the rules; turns out it’s OK to cross the river in the company of an adult, and Mama Owl’s no stranger (she’s the town librarian, whom Hedgehog sees every week). The back-and-forth may leave readers confused; it also feels like a missed opportunity to discuss how to identify trustworthy adults.
Visually sweet, though hampered by disjointed storytelling. (Picture book. 4-8)Pub Date: March 3, 2026
ISBN: 9780063357549
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
Another empowering outing led by a dynamic young role model.
The third title in the Ambitious Girl series finds young Maya wanting accomplished women to get their due.
On a school trip to Washington, D.C., brown-skinned, bubble-braided Maya is full of questions, among them “How many representatives are there?” and, while checking out the statues and monuments, “Where are all the women?” Maya’s teacher tells her that they’ve seen all the “popular” statues and monuments. Maya is as dogged (“But what about Eleanor Roosevelt? Or Mary McLeod Bethune?”) as her teacher is dismissive: “Those aren’t on my list.” (Maya’s teacher follows the same list every trip.) Back at home, Maya is newly awakened to the lack of female representation in her orbit—she notices that streets and “even her own school” are named for men. Is there anything she can do about this? Maya’s teacher’s cluelessness feels a bit implausible, more like a plot device to steer the story in the right direction, but Maya’s righteous indignation is believable, and her corresponding activism will energize readers. Valdez gets into the spirit of things with her invigorating digital art: Maya and her multiethnic classmates and neighbors are colorful dressers with smiling faces, which fosters a sense that wherever Maya goes, a warm and ebullient community is there for her.
Another empowering outing led by a dynamic young role model. (Picture book. 5-8)Pub Date: Feb. 3, 2026
ISBN: 9780316561341
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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