An Israeli author debuts in English on this side of the Atlantic with a sad but not heavy tale of life and death on the West Bank. His knee shattered in a bicycle accident, Samir is apprehensive about being sent to what he calls the “Jews’ hospital” for an operation. As the surgery is delayed, then followed by a course of physical rehabilitation, Samir forms loose bonds with the other patients in the children’s ward. Meanwhile, in almost an offhand way (“I remember the first time they searched our house”), he paints a grim picture of life in the occupied zone: the privation, the fear, and the devastation of losing his younger brother, Fadi, to violence. Ultimately, wardmate Yonatan, son of an astronomer, shows Samir ways of looking beyond the boundaries of his war-ravaged world, and Carmi lightens the general tone with a final scene in which Samir and Tzahi, a hyperactive tormentor, bury the hatchet beneath twin streams of urine (evidently a required scene in children’s fiction from overseas). Like Arno Bohlmeijer’s Something Very Sorry (1996), or Bruce Brooks’s Vanishing (1999), this hospital story will leave readers pondering the resilience of children in the face of tragedy. (Fiction. 10-13)
Pub Date: March 1, 2000
ISBN: 0-439-13504-4
Page Count: 186
Publisher: Levine/Scholastic
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2000
In his quest for easy moolah, Owen learns that the road to financial solvency can be rocky and fraught with work. Greene (Owen Foote, Soccer Star, 1998, etc.) touches upon the often-thorny issue of chores and allowances: Owen’s mom wants him to help out because he’s part of the family and not just for the money—while Owen wants the money without having to do tedious household chores. This universal dilemma leaves Owen without funds and eagerly searching for ways to make a quick buck. His madcap schemes range from original—a “free” toilet demonstration that costs 50 cents—to disastrous, as during the trial run of his children’s fishing video, Owen ends up hooking his ear instead of a trout. Enlisting the aid of his stalwart, if long-suffering, friend Joseph, the two form a dog-walking club that becomes vastly restricted in clientele after Owen has a close encounter with an incontinent, octogenarian canine. Ultimately, Owen learns a valuable lesson about work and money when an unselfish action is generously rewarded. These sudden riches motivate Owen to consider wiser investments for his money than plastic vomit. Greene’s crisp writing style and wry humor is on-target for young readers. Brief chapters revolving around a significant event or action and fast pacing are an effective draw for tentative readers. Weston’s (Space Guys!, p. 392, etc.) black-and-white illustrations, ranging in size from quarter- to full-page, deftly portray Owen’s humorous escapades. A wise, witty addition to Greene’s successful series. (Fiction. 8-10)
Pub Date: Sept. 18, 2000
ISBN: 0-618-02369-0
Page Count: 96
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2000
PLB 0-688-13166-2 King Midas And The Golden Touch ($16.00; PLB $15.63; Apr.; 32 pp.; 0-688-13165-4; PLB 0-688-13166-2): The familiar tale of King Midas gets the golden touch in the hands of Craft and Craft (Cupid and Psyche, 1996). The author takes her inspiration from Nathaniel Hawthorne’s retelling, capturing the essence of the tale with the use of pithy dialogue and colorful description. Enchanting in their own right, the illustrations summon the Middle Ages as a setting, and incorporate colors so lavish that when they are lost to the uniform gold spurred by King Midas’s touch, the point of the story is further burnished. (Picture book. 7-9)
Pub Date: April 1, 1999
ISBN: 0-688-13165-4
Page Count: 32
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
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