Fans of Paige’s Oz series hoping for a similar experience will not be disappointed.
In this series opener, a magical kingdom is cursed with perpetual winter, and its only hope for redemption is…a teenage mental patient.
Locked in Whittaker Psychiatric Institute since the age of 5, Snow Yardley’s lonely life is bearable only because of her friend and fellow inmate Bale, with whom she shares her first kiss. When Bale mysteriously vanishes from the asylum, Snow’s quest to save him leads her into Algid, a fairyland besieged by the father she never knew, the power-hungry King Lazar. According to an oracle’s prophecy, Snow’s return will either break her father’s wintry curse or provide him with enough power to subdue Algid forevermore. Leaving her dystopian Oz for this contemporary retelling of “The Snow Queen,” Paige (Yellow Brick War, 2016, etc.) gifts readers with a blonde, white heroine intent on saving herself and whose rebelliousness and hotheadedness feel all too real. The early chapters set in Whittaker are beautifully textured, but the transition into the magical realm is muddled, setting a tone for the worldbuilding that feels rushed. While the Snow-Bale romantic relationship is genuinely rendered, budding tension between Snow and Kai, an Algid engineer she encounters, seems perfunctory. The most intriguing aspect of Algid is that magic is controlled by emotion, enabling the author to address the fact that wielding power has real consequences.
Fans of Paige’s Oz series hoping for a similar experience will not be disappointed. (Fantasy. 14 & up)Pub Date: Sept. 27, 2016
ISBN: 978-1-68119-076-1
Page Count: 304
Publisher: Bloomsbury
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
Frustratingly slow and lacking in magical wonder.
Despite living her happily-ever-after, Evangeline can’t help but strive to recover her lost memories in this trilogy closer.
Evangeline Fox awakens in the strong arms of Prince Apollo, her apparent husband, who swears to protect her from the evil Lord Jacks, who stole her memories. Unfortunately, Evangeline remembers nothing of her long and complex journey in the Magnificent North or her past romances; only the pain in her heart lets her know something is missing. At Wolf Hall, Evangeline seeks ways to unlock her missing memories, including enlisting the help of a mysterious guard named Archer, even as Apollo’s behavior becomes more and more controlling. The pacing and plot feel stagnant at first, with Evangeline remembering things in flashes and moments of brief feelings, but things finally pick up once her memories return. With the point of view rotating among Evangeline, Apollo, and Jacks, there are few narrative surprises, but it’s intriguing to delve into the minds of an antagonist and a Fate. The story’s inclusion of the legendary Valors and the fantastical fairy-tale setting are unfortunately overshadowed by the love triangle’s dramatic tug-of-war romance. Likewise, the book’s various themes—power, hope, stories, and the nature of humanity—are of interest but handled in an unfocused way. The conclusion, at least, is satisfying, and it hints at future tales set in this world. Evangeline, Jacks, and Archer read white; Apollo has dark hair and olive skin.
Frustratingly slow and lacking in magical wonder. (map) (Fantasy. 14-18)Pub Date: Oct. 24, 2023
ISBN: 9781250851208
Page Count: 448
Publisher: Flatiron Books
Review Posted Online: Nov. 17, 2023
Kirkus Reviews Issue: Dec. 15, 2023
A sparse, beautifully drawn story about a teen discovering her heritage.
In this YA graphic novel, an alienated Métis girl learns about her people’s Canadian history.
Métis teenager Echo Desjardins finds herself living in a home away from her mother, attending a new school, and feeling completely lonely as a result. She daydreams in class and wanders the halls listening to a playlist of her mother’s old CDs. At home, she shuts herself up in her room. But when her history teacher begins to lecture about the Pemmican Wars of early 1800s Saskatchewan, Echo finds herself swept back to that time. She sees the Métis people following the bison with their mobile hunting camp, turning the animals’ meat into pemmican, which they sell to the Northwest Company in order to buy supplies for the winter. Echo meets a young girl named Marie, who introduces Echo to the rhythms of Métis life. She finally understands what her Métis heritage actually means. But the joys are short-lived, as conflicts between the Métis and their rivals in the Hudson Bay Company come to a bloody head. The tragic history of her people will help explain the difficulties of the Métis in Echo’s own time, including those of her mother and the teen herself. Accompanied by dazzling art by Henderson (A Blanket of Butterflies, 2017, etc.) and colorist Yaciuk (Fire Starters, 2016, etc.), this tale is a brilliant bit of time travel. Readers are swept back to 19th-century Saskatchewan as fully as Echo herself. Vermette’s (The Break, 2017, etc.) dialogue is sparse, offering a mostly visual, deeply contemplative juxtaposition of the present and the past. Echo’s eventual encounter with her mother (whose fate has been kept from readers up to that point) offers a powerful moment of connection that is both unexpected and affecting. “Are you…proud to be Métis?” Echo asks her, forcing her mother to admit, sheepishly: “I don’t really know much about it.” With this series opener, the author provides a bit more insight into what that means.
A sparse, beautifully drawn story about a teen discovering her heritage.Pub Date: March 15, 2018
ISBN: 978-1-55379-678-7
Page Count: 48
Publisher: HighWater Press
Review Posted Online: Feb. 28, 2018
Kirkus Reviews Issue: May 1, 2018
Review Program: Kirkus Indie
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