by Danielle Steel ‧ RELEASE DATE: March 1, 2005
Cartoonish prose and skimpy storyline do little for a notably unsexy romance from the indefatigable Steel (Echoes, 2004,...
Wealthy widow, artist lover.
Sasha Boardman is attracted to an artist who shows in her internationally famous gallery, Suvery Contemporary. Liam Allison is so tall, so rugged in that cable-knit sweater, and so, so wacky. Why, he doesn’t wear socks with shoes! Is Sasha, 50, ready for a walk on the wild side? Perhaps. Yet she still grieves decorously for her late husband, Arthur, a kind investment banker conveniently finished off by a heart attack in order for our heroine to Learn To Love Again. Her grown children will simply have to cope. Her son Xavier actually introduced her to Liam, but that was all about art—it never occurred to him that his devoted mother is a Lonely Woman With Needs. Liam also has Needs, but he can’t be bought and he won’t let Sasha boss him around, giving a stirring speech about his cherished independence. “Well, I’m an artist, Sasha. . . . and I won’t let you cut off my balls.” Sasha hastens to reassure him that she has no intention of doing so, and, somewhat later, her bitchy daughter Tatianna is appalled to encounter a naked Liam wandering about her mother’s apartment in a postcoital glow. How can she do that in Daddy’s bed? howls Tati. Xavier, the voice of reason, begs to differ. Other issues arise: it seems that Beth, Liam’s first love, still evokes powerful if mixed emotions in his wayward heart. . . . When Beth and Liam’s daughter falls through a giant, heretofore unseen, hole in the floor, severely injuring her spine, the plot stops dead in its tracks. Will Charlotte walk again? Will Liam return to Beth and make good on a long-ago promise? Will Sasha continue to suffer nobly through hospital vigils and late-night loneliness?
Cartoonish prose and skimpy storyline do little for a notably unsexy romance from the indefatigable Steel (Echoes, 2004, etc., etc.).Pub Date: March 1, 2005
ISBN: 0-385-33826-0
Page Count: 336
Publisher: Delacorte
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 15, 2005
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by Janice Hadlow ‧ RELEASE DATE: March 31, 2020
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Kristin Hannah ‧ RELEASE DATE: March 31, 1999
Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)
Pub Date: March 31, 1999
ISBN: 0-609-60249-7
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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