Give Steel points for turning from her usual tearjerkers (The Long Road Home, p. 145, etc.) and trying her hand at a playful romantic comedy with a twist. The twist involves a bionic man who wears Versace clothes and leopard G-strings and carries a matching set of purple alligator Hermäs luggage. This suave creature, called Paul Klone, is the brainchild of Peter Blake, an eligible mensch. While Paul and Peter look alike, their personalities could not be more opposite. Stephanie, Steel’s long-suffering heroine, has been thrown over by her letching husband Roger for a young bimbo with a large cleavage and an even larger trust fund, and flees to Paris with her two children to recuperate from the betrayal. It’s there that a newly slimmed down and dressed-up Stephanie meets Peter, who begins to woo her, even following her back home to Manhattan. Things are going well—there are trips to the theater and the Metropolitan Museum of Art—until Peter travels to California on business, and sends Paul (—The Klone—) east to keep Stephanie company. And, naturally, Paul (who’s more like a robot, with electrical wiring and a removable head), is all the outrageous things that sober Peter is not: charming, spontaneous, and an artist in bed: Besides the Day-Glo wardrobe, he performs triple somersaults during sex, and is working on his quadruple. It’s no surprise, then, that Stephanie finds her affections pulled in two very different directions. Paul is fun, but could she marry a robot? Peter’s sweet, but not nearly as stimulating as Paul. Can she have both? And what will the kids say, not to mention her ex-husband? A deft, bubbly, decidedly unusual romance, and a welcome departure for the ever-redoubtable Steel.
Pub Date: June 16, 1998
ISBN: 0-385-32392-1
Page Count: 240
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1998
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...
True love flares between two people, but they find that circumstances always impede it.
On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.
Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.Pub Date: Oct. 16, 2018
ISBN: 978-0-525-57468-2
Page Count: 400
Publisher: Crown
Review Posted Online: July 30, 2018
Kirkus Reviews Issue: Aug. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
To her usual mix of love, mystery, and passion, Roberts (Sanctuary, 1997, etc.)—author of 115 romancers in some 17 years—adds Renaissance art and a decidedly Medici-like family: the Joneses of Maine. Dr. Miranda Jones, nearly six feet with flaming red hair and a glacial reserve, is an archeometrist who specializes in the analyzing and dating of Renaissance bronze sculpture. Miranda hopes to secure a world-class reputation for herself by authenticating a 15th-century statue of the Dark Lady, one of the mistresses of Lorenzo the Magnificent, as the undiscovered work of a young Michelangelo. Miranda's mother, Dr. Elizabeth Standford-Jones, the emotionally remote director of the Standjo art lab in Florence, has summoned her daughter from the family's Victorian cliffside home in Jones Point, Maine, to test the statue. Meanwhile, Miranda's father, equally remote, is an archaeologist who spends more time at his digs than at home. In fact, no one in the Jones family has made a successful run at marriage, a failure that Miranda and her alcoholic brother Andrew call the Jones curse. As for the statue, when it's discovered to be a fake, Miranda sets out to prove that someone stole the original. In this she's helped by gorgeous art thief Ryan Boldari (half-Italian, half-Irish), who's come to Jones Point to steal yet another bronze, which also turns out to be a forgery. Ryan's plan had been to use Miranda as a pawn, but now, naturally, he finds himself falling hard for her. While the two search for bronzes, a standard-issue romance-novel psychotic is stalking them. Most readers will twig to the killer's identity: Here, as always, Roberts's sexual tension is more compelling than her suspense. Perhaps it's time to take a sabbatical from the pink sweatshop and turn her considerable wit and narrative skills to a more original piece of work.
Pub Date: March 23, 1998
ISBN: 0-399-14387-4
Page Count: 464
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1998
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