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TOXIC BACHELORS

By-the-numbers romance, with pop psychology overtones.

Three die-hard bachelors with issues meet their matches in the publishing titan’s latest fairy tale, her third this year (Miracle, June 2005, etc.).

Longtime friends Charlie, Adam and Gray have only the vaguest notions that their single-by-choice lifestyle might not be as great as it seems. To be fair, any misgivings seem tiny in comparison to the splendor of blueblood Charlie’s yacht, where the guys have assembled for their annual August Mediterranean jaunt. They drink, dance and flirt their way through charmed locations, secure in the knowledge that even if they end up alone, they still have each other. These free agents are not really unrepentant cads, though, so much as neurotic New Yorkers, and facing their commitment phobias is what propels the love stories forward. Charlie is a rich philanthropist who claims to want marriage but cannot stop fixating on the “fatal flaw” he discovers in each new girlfriend. Adam is a bitter, divorced entertainment lawyer who limits himself to short affairs with gold-digging 20-year-old bimbos, and sensitive painter Gray is a psycho-chick magnet repeatedly drawn to—and dumped by—damaged women he hopes to save. It is during a stop in Portofino that Gray meets Sylvia, a warm, successful (and resolutely sane) gallery owner, signaling a possible end to the happy brotherhood. Back in New York, Charlie befriends Carole, a self-righteous social worker uncomfortable with his vast wealth. Hedonistic Adam gets his life turned upside down by a sweet waitress with a secret life whom he meets at a client’s rock concert. Their various relationships take different routes, but all arrive at the same destination. It is love, sweet love, that changes these big ’ol scaredy cats into happy husbands. Steel’s massive fan base is unlikely to quibble, but the author displays a stunning tendency to repeat a point four or more times when once would have been sufficient.

By-the-numbers romance, with pop psychology overtones.

Pub Date: Oct. 25, 2005

ISBN: 0-385-33827-9

Page Count: 336

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2005

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THE GIRL YOU LEFT BEHIND

While Liv’s more pedestrian story is less romantic than Sophie’s and far less nuanced, Moyes is a born storyteller who makes...

The newest novel by Moyes (Me Before You, 2012, etc.) shares its title with a fictional painting that serves as catalyst in linking two love stories, one set in occupied France during World War I, the other in 21st-century London.

In a French village in 1916, Sophie is helping the family while her husband, Édouard, an artist who studied with Matisse, is off fighting. Sophie’s pluck in standing up to the new German kommandant in the village draws his interest. An art lover, he also notices Édouard's portrait of Sophie, which captures her essence (and the kommandant's adoration). Arranging to dine regularly at Sophie’s inn with his men, he begins a cat-and-mouse courtship. She resists. But learning that Édouard is being held in a particularly harsh “reprisal” camp, she must decide what she will sacrifice for Édouard’s freedom. The rich portrayals of Sophie, her family and neighbors hauntingly capture wartime’s gray morality. Cut to 2006 and a different moral puzzle. Thirty-two-year-old widow Liv has been struggling financially and emotionally since her husband David’s sudden death. She meets Paul in a bar after her purse is stolen. The divorced father is the first man she’s been drawn to since she was widowed. They spend a glorious night together, but after noticing Édouard's portrait of Sophie on Liv’s wall, he rushes away with no explanation. In fact, Paul is as smitten as Liv, but his career is finding and returning stolen art to the rightful owners. Usually the artwork was confiscated by Germans during World War II, not WWI, but Édouard's descendants recently hired him to find this very painting. Liv is not about to part with it; David bought it on their honeymoon because the portrait reminded him of Liv. In love, Liv and Paul soon find themselves on opposite sides of a legal battle.

While Liv’s more pedestrian story is less romantic than Sophie’s and far less nuanced, Moyes is a born storyteller who makes it impossible not to care about her heroines.

Pub Date: Aug. 20, 2013

ISBN: 978-0-670-02661-6

Page Count: 384

Publisher: Pamela Dorman/Viking

Review Posted Online: July 17, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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YOU HAD ME AT WOLF

Like a popcorn action flick: fun but lacking in substance.

Two wolf shifters must catch a criminal in the midst of hazardous winter weather: Action, adventure, and romance kick off a new series by Spear (Falling for the Cougar, 2019, etc.).

Private Investigator Nicole Grayson has an edge that some of her colleagues don’t. She’s a gray wolf shifter, and her heightened sense of smell makes for excellent tracking abilities. When her latest assignment, investigating a fraudulent life insurance claim, leads her to an isolated ski lodge inhabited by a group of shifter brothers, Nicole realizes that this particular mission is different. Blake Wolff has finally found peace and quiet, as he and his brothers have turned their land into a sanctuary for wolf shifters like themselves. When Nicole turns up at the lodge, sniffing around and looking for answers, Blake volunteers to help. The sooner she wraps up her investigation, the sooner Blake can return to maintaining the calm community the Wolff siblings have built. The suspense never fully delivers despite the setup of dangerous situations and the characters’ ability to shift into wolves. Of course, the bad guys get caught and the good guys prevail, but the stakes never seem terribly high. With corny, on-the-nose details such as having Wolff and Grayson as surnames for gray wolf shifters, it's hard to tell if Spear is in on the joke or if some things sounded better in theory than reality. The brightest spot here, as in most of Spears’ books, is her dedication to writing strong heroines with interesting professions, and Nicole fits perfectly into that box. She’s capable, competent, and a force to be reckoned with in a difficult situation. Blake is happy to let her take the lead without any egos getting in the way, which is something all readers will appreciate.

Like a popcorn action flick: fun but lacking in substance.

Pub Date: Feb. 25, 2020

ISBN: 978-1-4926-9775-6

Page Count: 384

Publisher: Sourcebooks Casablanca

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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