A gently horrid reminder that some ghosts can be very real.


Further misfortune befalls a girl who can’t escape her ghosts.

Being the new girl in Drearford, New York, means heaps of unwanted attention for Hendricks Becker-O’Malley, who’d much rather begin anew with a clean slate. Her traumatic past was the main reason behind her family’s relocation to the small town, with its dreary gray skies and sinister secrets. However, her new home—Drearford’s derelict Steele House—offers no comfort. The disturbances start small: the usual moans and groans of an old house, a creepy doll singing of its own accord, devious laughter from another room. At first, Hendricks’ past shrouds her in self-doubt fueled by shame. But then she meets Eddie Ruiz, a damaged boy who lost an older brother and younger sister to Steele House’s cursed, evil spirits. Together the pair plan to vanquish the ghosts, attempting a misguided cleansing ritual in the process. As Hendricks and Eddie develop a close bond, Steele House launches its final onslaught. Vega’s (The Merciless IV: Last Rites, 2018, etc.) take on the haunted house subgenre features an eclectic, well-fitted mix of supernatural spookiness and gore. Overall, the novel doesn’t rise above its creaky cliché-riddled plot, but the author excels at portraying the aftermath of a toxic, abusive relationship from Hendricks’ perspective. Though Hendricks is assumed white, the supporting cast offers some diversity.

A gently horrid reminder that some ghosts can be very real. (Horror. 14-18)

Pub Date: June 4, 2019

ISBN: 978-0-451-48146-7

Page Count: 304

Publisher: Razorbill/Penguin

Review Posted Online: March 24, 2019

Kirkus Reviews Issue: April 15, 2019

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.


After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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Black is building a complex mythology; now is a great time to tune in.

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From the Folk of the Air series , Vol. 1

Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.

Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.

Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)

Pub Date: Jan. 2, 2018

ISBN: 978-0-316-31027-7

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Sept. 26, 2017

Kirkus Reviews Issue: Oct. 15, 2017

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