On a three-week wilderness adventure in Northern Ontario arranged by her mother, Ingrid is tested in unexpected ways.
Utterly surprised when the camping trip turns out not to be cabins and day hikes but rugged hiking and canoeing, Ingrid is nonetheless determined to find her “inner Nature Girl” and prove that she’s mature enough to spend her senior year at school in London, England. Ingrid punctuates her first-person narrative of the three weeks with journal entries in the form of letters to her mother, in which she sarcastically recounts the daily annoyances of the “shit hole” she finds herself in. The present-day account is interspersed with past-tense chapters detailing a childhood spent traveling around Europe with her mother, a world-famous opera star who stopped performing when Ingrid was 11. The two parts of her life seem strangely juxtaposed, but as Ingrid reflects on what brought her to this moment—the adjustment to public school in Toronto, the bullying, the message from her mother that she had no musical talent, as well as hints of some deeper emotional events—she begins to recognize the strength of character and leadership qualities that lie within her. With just three characters explicitly of color, Ingrid and the novel default to white.
Younge-Ullman’s subtle approach to narrative pacing allows readers to accompany Ingrid on her journey to fully confront and accept her past as she discovers her own true voice . (Fiction. 13-17)Pub Date: Feb. 21, 2017
ISBN: 978-0-425-28759-0
Page Count: 368
Publisher: Viking
Review Posted Online: Oct. 19, 2016
Kirkus Reviews Issue: Nov. 1, 2016
Categories: TEEN FICTION | TEEN FAMILY | TEEN SOCIAL THEMES
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BOOK REVIEW
In an imagined setting evoking medieval England, King Jameson of Coroa pursues Hollis Brite.
The independent teenager makes Jameson laugh, but she lacks the education and demeanor people expect in a queen. Her friend Delia Grace has more knowledge of history and languages but is shunned due to her illegitimate birth. Hollis gets caught up in a whirl of social activity, especially following an Isolten royal visit. There has been bad blood between the two countries, not fully explained here, and when an exiled Isolten family also comes to court, Jameson generously allows them to stay. Hollis relies on the family to teach her about Isolten customs and secretly falls in love with Silas, the oldest son, even though a relationship with him would mean relinquishing Jameson and the throne. When Hollis learns of political machinations that will affect her future in ways that she abhors, she faces a difficult decision. Romance readers will enjoy the usual descriptions of dresses, jewelry, young love, and discreet kisses, although many characters remain cardboard figures. While the violent climax may be upsetting, the book ends on a hopeful note. Themes related to immigration and young women’s taking charge of their lives don’t quite lift this awkwardly written volume above other royal romances. There are prejudicial references to Romani people, and whiteness is situated as the norm.
Skip this uninspired entry into the world of medieval love and court intrigue. (Historical romance. 13-16)Pub Date: May 5, 2020
ISBN: 978-0-06-229163-9
Page Count: 320
Publisher: HarperTeen
Review Posted Online: Feb. 5, 2020
Kirkus Reviews Issue: March 1, 2020
Categories: TEEN FICTION | TEEN ROMANCE | TEEN SOCIAL THEMES
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Lara Jean prepares for college and a wedding.
Korean-American Lara Jean is finally settled into a nice, complication-free relationship with her white boyfriend, Peter. But things don’t stay simple for long. When college acceptance letters roll in, Peter and Lara Jean discover they’re heading in different directions. As the two discuss the long-distance thing, Lara Jean’s widower father is making a major commitment: marrying the neighbor lady he’s been dating. The whirlwind of a wedding, college visits, prom, and the last few months of senior year provides an excellent backdrop for this final book about Lara Jean. The characters ping from event to event with emotions always at the forefront. Han further develops her cast, pushing them to new maturity and leaving few stones unturned. There’s only one problem here, and it’s what’s always held this series back from true greatness: Peter. Despite Han’s best efforts to flesh out Peter with abandonment issues and a crummy dad, he remains little more than a handsome jock. Frankly, Lara Jean and Peter may have cute teen chemistry, but Han's nuanced characterizations have often helped to subvert typical teen love-story tropes. This knowing subversion is frustratingly absent from the novel's denouement.
An emotionally engaging closer that fumbles in its final moments. (Romance. 14-17)Pub Date: May 2, 2017
ISBN: 978-1-4814-3048-7
Page Count: 336
Publisher: Simon & Schuster
Review Posted Online: March 29, 2017
Kirkus Reviews Issue: April 15, 2017
Categories: TEEN FICTION | TEEN ROMANCE | TEEN SOCIAL THEMES
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