Mother Goose throws a storytime slumber party for all her favorite characters.
As word spreads about the party, the stars of these famous rhymes start making their ways to Mother Goose’s house. “Wee Willie Winkie spread the word / and Georgie Porgie overheard.” The gathering parade of guests walks single file down the final crooked mile to Mother Goose’s gate. Relying more on image than text, this concept book belies its bedtime title as readers are engaged to surmise the rhymes of origin. Youngsters will enjoy these familiar characters freed from their traditional settings. Allyn’s illustrations are vibrant in color, with characters of many ethnicities, along with animals and the plate and spoon. Yet the lively images cover up the lack of tension or story arc; this book is more recognition game than story. Over 14 characters are found in the rhyming verses, with the possibility that not all will be recognized. Two favorites, the Three Blind Mice and the Gingerbread Man, appear in illustration only. The traditional rhymes appear at the end of the book, providing the sources for lesser known characters.
Readers who are knowledgeable enough to recognize all the players are likely to want an actual storyline. (Picture book. 3-7)Pub Date: Oct. 27, 2015
ISBN: 978-0-553-49756-4
Page Count: 40
Publisher: Doubleday
Review Posted Online: July 27, 2015
Kirkus Reviews Issue: Aug. 15, 2015
Categories: CHILDREN'S POETRY
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A lyrical message of perseverance and optimism.
The text uses direct address, which the title- and final-page illustrations suggest comes from an adult voice, to offer inspiration and encouragement. The opening spreads reads, “Tonight as you sleep, a new day stirs. / Each kiss good night is a wish for tomorrow,” as the accompanying art depicts a child with black hair and light skin asleep in a bed that’s fantastically situated in a stylized landscape of buildings, overpasses, and roadways. The effect is dreamlike, in contrast with the next illustration, of a child of color walking through a field and blowing dandelion fluff at sunrise. Until the last spread, each child depicted in a range of settings is solitary. Some visual metaphors falter in terms of credibility, as in the case of a white-appearing child using a wheelchair in an Antarctic ice cave strewn with obstacles, as the text reads “you’ll explore the world, only feeling lost in your imagination.” Others are oblique in attempted connections between text and art. How does a picture of a pale-skinned, black-haired child on a bridge in the rain evoke “first moments that will dance with you”? But the image of a child with pink skin and brown hair scaling a wall as text reads “there will be injustice that will challenge you, and it will surprise you how brave you can be” is clearer.
There’s always tomorrow. (Picture book. 4-7)Pub Date: Jan. 8, 2019
ISBN: 978-1-101-99437-5
Page Count: 32
Publisher: Dial Books
Review Posted Online: Nov. 12, 2018
Kirkus Reviews Issue: Dec. 1, 2018
Categories: CHILDREN'S POETRY | CHILDREN'S FAMILY
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A neighborhood walk unleashes the power of poetry.
Kiyoshi, a boy of Japanese heritage, watches his poet grandfather, Eto, write a poem in calligraphy. Intrigued, Kiyoshi asks, “Where do poems come from?” So begins a meditative walk through their bustling neighborhood, in which Kiyoshi discovers how to use his senses, his power of observation, and his imagination to build a poem. After each scene, Eto jots down a quick poem that serves as both a creative activity and an instruction for Kiyoshi. Eventually Kiyoshi discovers his own poetic voice, and together the boy and his grandfather find poems all around them. Spare, precise prose is coupled with the haiku Kiyoshi and his grandfather create, building the story through each new scene to expand Kiyoshi’s understanding of the origin of poems. Sensory language, such as flicked, whooshed, peeked, and reeled, not only builds readers’ vocabulary, but also models the vitality and precision of creative writing. The illustrations are just as thoughtfully crafted. Precisely rendered, the artwork is soft, warm, and captivating, offering vastly different perspectives and diverse characters who make up an apparently North American neighborhood that feels both familiar and new for a boy discovering how to view the world the way a poet does. Earth tones, coupled with bright yellows, pinks, and greens, draw readers in and encourage them to linger over each spread. An author’s note provides additional information about haiku.
See, hear, touch, taste, smell...and imagine poetry all around you. (Picture book. 4-7)Pub Date: March 9, 2021
ISBN: 978-1-62014-958-4
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: Dec. 15, 2020
Kirkus Reviews Issue: Jan. 1, 2021
Categories: CHILDREN'S FAMILY | CHILDREN'S POETRY
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