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THE MONSTER WHO ATE MY PEAS

Arcimboldo meets Mad Magazine as a monster that looks like a cross between an octopus and a compost pile bargains with a young narrator willing to sacrifice his prized soccer ball, and even his new bike, rather than eat peas. The creature wears a battered top hat above its many waving eyestalks and tentacles, and there’s a Seussian (or Clement Clarke Moore) flavor to the rhymed text as well: “His ears were like mushrooms, his chin like a beet, / And he balanced himself on two big stinky feet,” etc. Coming to regret each treasure’s loss, the lad at last screws his courage to the sticking place and samples the dreaded green stuff—only (unsurprisingly) to discover that he likes it. The monster shrivels away forthwith. Though readers may find it hard to swallow the ending (and some lines of text are swallowed by the art over which they’re printed), the rollicking rhythms and madcap, over-the-top art give this successor to Sarah Wilson’s out-of-print Muskrat, Muskrat Eat Your Peas (1989) plenty of comic energy. On to Faust. (Picture book. 8-10)

Pub Date: Sept. 1, 2001

ISBN: 1-56145-216-5

Page Count: 32

Publisher: Peachtree

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2001

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THE SCRAMBLED STATES OF AMERICA

Imagine the states, Kansas, California, Ohio, and all the rest, as people with toothy grins, ping-pong balls for eyes, pipe cleaner limbs, and full-blown personalities. Imagine, then, that they get together at a party and decide to switch places on the map. In this amusing spoof, Kansas wakes up one morning saying, “I’m not feeling happy at all!” and starts the whole thing. Florida goes to Minnesota, California goes to Wisconsin, Nevada and Mississippi fall in love. Then the trouble starts: Alaska, who had missed company, feels claustrophobic among other states; Kansas finds his place in the middle of the ocean to be a bit too quiet; Minnesota, in Florida’s spot, forgets to pack suntan lotion; and so on. Soon the states are rushing back to their original spots with sighs of relief. Keller, in her first book pushes a silly idea, to great lengths, and will elicit laughs from all those who thought geography was boring. The states are colorful, boastful, belligerent, and charming, in collage illustrations that are full of spontaneous asides and intriguing labels. The states appear in a final gallery, with a few statistics to square off the whole funny enterprise. (Picture book. 8-10)

Pub Date: Oct. 1, 1998

ISBN: 0-8050-5802-8

Page Count: 32

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1998

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THE SINGING ROCK & OTHER BRAND-NEW FAIRY TALES

Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...

The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.

Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”

Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)

Pub Date: June 18, 2019

ISBN: 978-1-59643-750-0

Page Count: 112

Publisher: First Second

Review Posted Online: April 27, 2019

Kirkus Reviews Issue: May 15, 2019

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