An agreeable miscellany of minor du Maurier: 15 early stories (previously collected only in paperback), ten bits of family history and personal memoir, three poems, and a few pages of working notes for the novel Rebecca. As for this "Rebecca Notebook," du Maurier's chatty introduction says it best: "Perhaps the reader may care to compare it, and the original epilogue, with the published novel. If not, never mind. Skip through it, then turn to my early stories!" These are mostly mini-melodramas, many of them reflecting the era's pervasive Maugham influence: a matinee idol is shaken by a visit from an old flame who looks her age; an employee recognizes his boss' fiancÉe as a shady lady; a thief-prostitute tells her life story; a star actress manipulates a puritanical producer, sabotaging a threateningly good actor; a clergyman, envious of a young colleague's charisma, takes hypocritical revenge; an aging writer, infatuated with a girl and jealous of her lover, transcends this situation through his art; a gigolo-ish lover two-times his clinging mistress. . . . Heavy ironies, one or two maudlin embarrassments, some wretched prose ("Subconsciously, in the depth of her being. . .")—but the storytelling knack is there, especially in a charmer about the "dullest man" in town and his wild transformation. Rather less diverting are bland biographical sketches of novelist-grandpa George du Maurier and actor-father Gerald. And only a few flickers of wit enliven musings on fame ("anticlimax"), romantic love ("an illusion"), religion, telepathy ("neglect of this sixth sense has contributed to our problems throughout the ages"), widowhood, moving, and loneliness. Part pure fluff, part inspirational—a friendly, unpretentious du Maurier grab-bag.
Pub Date: Sept. 1, 1980
ISBN: 0385158858
Page Count: 320
Publisher: Doubleday
Review Posted Online: March 28, 2012
Kirkus Reviews Issue: Sept. 1, 1980
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
IN THE NEWS
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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