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POLLEN

DARWIN'S 130 YEAR PREDICTION

From the Moments in Science series

An illuminating introduction to Darwin and evolutionary development for young readers.

Awards & Accolades

Our Verdict

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  • Kirkus Reviews'
    Best Books Of 2019

Sometimes scientists take a long time to reach a conclusion—and the team of Pattison and Willis (Clang!, 2018, etc.) explores that idea in this look at a hypothesis about a moth and a flower.

In 1862, Charles Darwin received orchids in the mail (the variety is depicted in the beautiful mixed-media illustrations from Willis, who painted on newspaper to create textured images). When Darwin noticed that the star orchid’s nectary was unusually long, he envisioned the type of creature, a huge moth, that would have had to evolve to allow the flower to reproduce. In 1903, two entomologists found the hawk moth, which they believed to be the insect that Darwin imagined, with a lengthy, trunklike proboscis. But there was a problem: “No one had seen the hawk moth pollinate the star orchid.” It wasn’t until 1992 that entomologist Lutz Thilo Wasserthal was able to verify that the moth and flower depended on each other. Using plenty of science vocabulary made approachable through conversational text and Willis’ kid-friendly illustrations, Pattison captures the sense of wonder that comes from discovery, even if the proof arrives 130 years after the initial idea. The intriguing moment is well-told in this third installment of a picture book series, giving real insight into the scientific process and celebrating the determined researchers who strive to further human knowledge.

An illuminating introduction to Darwin and evolutionary development for young readers.

Pub Date: May 7, 2019

ISBN: 978-1-62944-119-1

Page Count: 34

Publisher: Mims House

Review Posted Online: March 18, 2019

Kirkus Reviews Issue: April 15, 2019

CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

THERE'S A MONSTER IN YOUR BOOK

From the Who's in Your Book? series

Playful, engaging, and full of opportunities for empathy—a raucous storytime hit.

Readers try to dislodge a monster from the pages of this emotive and interactive read-aloud.

“OH NO!” the story starts. “There’s a monster in your book!” The blue, round-headed monster with pink horns and a pink-tipped tail can be seen cheerfully munching on the opening page. “Let’s try to get him out,” declares the narrator. Readers are encouraged to shake, tilt, and spin the book around, while the monster careens around an empty background looking scared and lost. Viewers are exhorted to tickle the monster’s feet, blow on the page, and make a really loud noise. Finally, shockingly, it works: “Now he’s in your room!” But clearly a monster in your book is safer than a monster in your room, so he’s coaxed back into the illustrations and lulled to sleep, curled up under one page and cuddling a bit of another like a child with their blankie. The monster’s entirely cute appearance and clear emotional reactions to his treatment add to the interactive aspect, and some young readers might even resist the instructions to avoid hurting their new pal. Children will be brought along on the monster’s journey, going from excited, noisy, and wiggly to calm and steady (one can hope).

Playful, engaging, and full of opportunities for empathy—a raucous storytime hit. (Picture book. 2-7)

Pub Date: Sept. 5, 2017

ISBN: 978-1-5247-6456-2

Page Count: 32

Publisher: Random House

Review Posted Online: June 4, 2017

Kirkus Reviews Issue: June 15, 2017

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