An epistolary picture book whimsically teaches geography, encouraging readers to follow the peregrinations of a life-sized wooden figure. When Tameka invites her Uncle Ray, a woodworker, to visit her in California, he responds that he can’t—but he will send a wooden doll he has fashioned in his stead. Oliver is duly propped up by the side of the road to hitch a ride (“California or bust,” reads his placard), a note in his backpack requesting that his conveyers send postcards back to his friend Ray. What follows is a genial romp that moves back and forth among Oliver, Ray, and Tameka, as Oliver makes his way across the country. The landscape orientation enhances sweeping full-bleed spreads; wordless double-paged openings feature Oliver against the changing American geography and alternate with postcards and letters written by his helpers to inform Ray of his progress. Cepeda’s (Why Heaven Is Far Away, 2002, etc.) cheerily energetic oils vary perspective and angle with abandon, giving the story a wonderful movement. Rendered over an acrylic underpainting; the bits of color that show through the oil coat also lend individual spreads terrific energy. The genius of the interaction between illustration and Pattison’s (The Wayfinder, not reviewed) deadpan postcard text is that the tension regarding Oliver—is he just a giant doll or is he “real”—is never really resolved. Pictured in Reno with a trio of gray-haired sisters from Kokomo, Oliver stands in the background by the craps table, holding up one wooden finger and looking on expressionlessly. The letter reads, “Mr. Oliver’s advice was very helpful. We won $5,000!” Who knows? Readers, like Tameka and those who encounter Oliver on his way, will be happy to choose to believe. Endpapers feature bright, complementary maps of the US: the front is empty, while the back is marked by dotted lines showing Oliver’s journey. All geography lessons should be this much fun. (Picture book. 5-8)
Pub Date: April 1, 2003
ISBN: 0-15-202329-1
Page Count: 56
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 2003
These reindeer games are a bit tired but, given the series’ popularity, should have a large, ready-made audience.
The How to Catch A… crew try for Comet.
Having already failed to nab a Halloween witch, the Easter Bunny, a turkey, a leprechaun, the Tooth Fairy, and over a dozen other iconic trophies in previous episodes of this bestselling series, one would think the racially diverse gaggle of children in Elkerton’s moonlit, wintry scenes would be flagging…but no, here they lay out snares ranging from a loop of garland to an igloo baited with reindeer moss to an enticing candy cane maze, all in hopes of snagging one of Santa’s reindeer while he’s busy delivering presents. Infused with pop culture–based Christmas cheer (“Now I’ve already seen the shelf with the elf”), Comet prances past the traps until it’s time to gather up the kids, most of whom look terrified, for a group snapshot with the other reindeer and then climb back into harness: “This was a great stop but a few million to go / Christmas Eve must continue with style!” Though festive, the verse feels trite and unlikely to entice youngsters. A sprinkling of “True Facts About Reindeer” (“They live in the tundra, where they have friends like the arctic bunny”) wrap up this celebration of the predatory spirit. (This book was reviewed digitally.)
These reindeer games are a bit tired but, given the series’ popularity, should have a large, ready-made audience. (Picture book. 5-7)Pub Date: Oct. 4, 2022
ISBN: 9781728276137
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Dec. 12, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A brisk if bland offering for series fans, but cleverer metafictive romps abound.
The titular cookie runs off the page at a bookstore storytime, pursued by young listeners and literary characters.
Following on 13 previous How To Catch… escapades, Wallace supplies sometimes-tortured doggerel and Elkerton, a set of helter-skelter cartoon scenes. Here the insouciant narrator scampers through aisles, avoiding a series of elaborate snares set by the racially diverse young storytime audience with help from some classic figures: “Alice and her mad-hat friends, / as a gift for my unbirthday, / helped guide me through the walls of shelves— / now I’m bound to find my way.” The literary helpers don’t look like their conventional or Disney counterparts in the illustrations, but all are clearly identified by at least a broad hint or visual cue, like the unnamed “wizard” who swoops in on a broom to knock over a tower labeled “Frogwarts.” Along with playing a bit fast and loose with details (“Perhaps the boy with the magic beans / saved me with his cow…”) the author discards his original’s lip-smacking climax to have the errant snack circling back at last to his book for a comfier sort of happily-ever-after.
A brisk if bland offering for series fans, but cleverer metafictive romps abound. (Picture book. 6-8)Pub Date: Aug. 3, 2021
ISBN: 978-1-7282-0935-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: July 26, 2021
Kirkus Reviews Issue: Aug. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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