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NOTHING EVER HAPPENS ON MAIN STREET

A fun time-travel caper that has more of the quaint ambiance of a cozy mystery than an epic SF adventure.

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In Hatfield’s YA novel, a small-town newspaper publisher’s son learns the incredible secret of the town eccentric: He can reverse time, and thus avert tragedies.

Harding Springs, in 1910, embodies the classic small-town America of yesteryear that some people call “the good old days.” Very little danger and very few crises ever seem to strike the place, except for one strange train wreck—the significance of which becomes clear much later. Bright 13-year-old Parker Riley, whose father is the publisher, editor, and sole reporter for The Village Piper newspaper, he had a largely idyllic childhood in Harding Springs. Roughly the same week that his family receives new boarders—widow Cora Swanson and her daughter, Cassandra—the teen witnesses a strange incident involving secretive local oddball Edison Doyle, who seems to have knowledge of everybody else’s affairs. When a deadly house fire breaks out, only Parker notices when events suddenly shift into reverse: The flames dwindle, ashes re-form into intact house decor, and, perhaps most notably, Edison walks through the backwards conflagration to keep a lit candle, dropped by the once-doomed occupant, from causing the blaze. Edison knows that Parker saw him do this, so he confides his secret: He once apprenticed with the late inventor of the Von Pelier Diametric Regulator—a pocket-sized electrical device that uses a rare local mineral, retrozyte, to reverse the flow of time for short periods. Now, Edison takes it upon himself to visit all of Harding Springs’ worst events and prevent them from occurring. He engages Parker as his apprentice, but the secret they share soon begins to leak out—and some not-so-ethical characters covet the power that Edison possesses.

Hatfield’s compact but well-developed historical fantasy tale seems perfectly calibrated for a YA readership. The material approaches, but doesn’t quite enter, the realm of the steampunk subgenre as it evokes an idyllic milieu in which horse-drawn carriages are just starting to give way to motorcars (a black Packard Model 30 gets plenty of attention). Indeed, the story’s ambiance is nearer to the works of Thornton Wilder than those of H.G. Wells, Jules Verne, or more modern SF practitioners, such as Kelly Link; there’s a sweet sense of innocence and just a dab of outdated vernacular to take readers back to days of yore—although the 1960s-vintage term “humongous” is hardly a period-correct adjective. The tale’s fanciful technological jargon should not particularly intimidate readers who have at least a mild familiarity with, say, the BBC TV series Doctor Who; the query “How do you implement the need for the time resonation asynchronization?” is about as severe as it gets. As the perils of these short-term chrononauts become more resonant of silent-film shenanigans, one may be inclined to forget that Parker is narrating all of this as an adult memoirist, despite an upfront giveaway that all ends well—or will end well, or has already ended well. It’s too bad that past practitioners of this sort of adventure aren’t around to appreciate Hatfield’s homey touch.

A fun time-travel caper that has more of the quaint ambiance of a cozy mystery than an epic SF adventure.

Pub Date: Oct. 6, 2024

ISBN: 9798218517922

Page Count: 274

Publisher: Self

Review Posted Online: Nov. 20, 2024

Kirkus Reviews Issue: Feb. 1, 2025

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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  • New York Times Bestseller

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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