A vivid, useful guide to setting, achieving, and maintaining lifetime goals.


A debut self-improvement manual provides illustrations of common wisdom as well as uncommon tips for attaining success.

From this book’s beginning, the aspect that sets it apart from other self-help titles is the bevy of anecdotes that Colucci offers: short narratives that illuminate the points the author wants to make about goal-setting, affirmations, and beliefs. Whether discussing superstars like Michael Jordan or business gurus like the founder of Spanx, the author uses personal narratives to show the reader that moguls, famous athletes, and celebrities are just normal people who decided to take control of their lives and render their visions into reality. Tools are the author’s focus rather than concepts or abstractions. For example, midway through the volume, the author recounts a story about applying for legal jobs after law school. He needed a professional resume but didn’t have the money required. He then decided that because he could no longer bolster his hiring chances with academic pursuits, buying a resume service was the only way to increase his odds of getting interviews. He found a way to amass the funds and make the purchase, resulting in interviews everywhere he sent his resume. The moral of the story, a unique takeaway from the book, is to never skimp on investing in yourself. The author also suggests that volunteering becomes a self-investment, as it builds connections, knowledge, and skills toward ultimate career goals. But perhaps one of the work’s best features is its emphasis on the value of respect, honesty, and kindness. Colucci supplies several anecdotes about the power of human connection, demonstrating that the way a person interacts with others dictates far more about success than one realizes. From husbands and wives to business partners and clients—fair, honest treatment goes much further than pressure, manipulation, and aggression. In all, the author delivers memorable stories that should help any reader stay on a path to success.

A vivid, useful guide to setting, achieving, and maintaining lifetime goals. 

Pub Date: Oct. 29, 2016

ISBN: 978-0-9977224-7-5

Page Count: 102

Publisher: SDP Publishing

Review Posted Online: Dec. 13, 2016

Kirkus Reviews Issue: Jan. 15, 2017

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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...



Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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Possibly inspired by the letters Cleary has received as a children's author, this begins with second-grader Leigh Botts' misspelled fan letter to Mr. Henshaw, whose fictitious book itself derives from the old take-off title Forty Ways W. Amuse a Dog. Soon Leigh is in sixth grade and bombarding his still-favorite author with a list of questions to be answered and returned by "next Friday," the day his author report is due. Leigh is disgruntled when Mr. Henshaw's answer comes late, and accompanied by a set of questions for Leigh to answer. He threatens not to, but as "Mom keeps nagging me about your dumb old questions" he finally gets the job done—and through his answers Mr. Henshaw and readers learn that Leigh considers himself "the mediumest boy in school," that his parents have split up, and that he dreams of his truck-driver dad driving him to school "hauling a forty-foot reefer, which would make his outfit add up to eighteen wheels altogether. . . . I guess I wouldn't seem so medium then." Soon Mr. Henshaw recommends keeping a diary (at least partly to get Leigh off his own back) and so the real letters to Mr. Henshaw taper off, with "pretend," unmailed letters (the diary) taking over. . . until Leigh can write "I don't have to pretend to write to Mr. Henshaw anymore. I have learned to say what I think on a piece of paper." Meanwhile Mr. Henshaw offers writing tips, and Leigh, struggling with a story for a school contest, concludes "I think you're right. Maybe I am not ready to write a story." Instead he writes a "true story" about a truck haul with his father in Leigh's real past, and this wins praise from "a real live author" Leigh meets through the school program. Mr. Henshaw has also advised that "a character in a story should solve a problem or change in some way," a standard juvenile-fiction dictum which Cleary herself applies modestly by having Leigh solve his disappearing lunch problem with a burglar-alarmed lunch box—and, more seriously, come to recognize and accept that his father can't be counted on. All of this, in Leigh's simple words, is capably and unobtrusively structured as well as valid and realistic. From the writing tips to the divorced-kid blues, however, it tends to substitute prevailing wisdom for the little jolts of recognition that made the Ramona books so rewarding.

Pub Date: Aug. 22, 1983

ISBN: 143511096X

Page Count: 133

Publisher: Morrow/HarperCollins

Review Posted Online: Oct. 16, 2011

Kirkus Reviews Issue: Aug. 1, 1983

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