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BERTA'S BOXES

From the Inglés series

Another offering for the emotional intelligence shelf.

What should a child do with strong feelings?

Years ago, Molly Bang modeled a child finding peace in nature in When Sophie Gets Angry—Really, Really Angry… (1999), but some readers have complained that Sophie was running away from her problems. More recently, in The Color Monster (2018), Anna Llenas recommended sorting emotions into jars of different colors. Italian bookseller Alvisi’s protagonist Berta follows that latter path. She tidies up regularly, sorts her toys by color, and uses red, yellow, green, and blue boxes to contain her strong feelings. Grown-ups admire her good behavior. But that technique is not enough when someone at school calls her a “red gloop monstreepy” and adults in her life are too distracted to offer sympathy. She tries to calm down with a puzzle, but a missing piece is the last straw. In a frenzy, she mixes all her puzzles together into one—creating a terrible and wonderful monstreepy of her own. In what may be something of a leap for a young audience, she changes her ways, loosens up, and learns to talk about her feelings instead of putting them in boxes. When she’s upset, she can draw, trace, cut, and glue some “magnificent monsters.” Making art helps. Graux depicts Berta and her parents as White, but there are some background characters of color; her color choices support Berta’s changing moods. Ross’ translation is smooth, but it’s unclear whether that is from the original Italian or the Madrid-based publisher’s co-publishing Spanish edition, Las cajas de Berta.

Another offering for the emotional intelligence shelf. (Picture book. 4-7)

Pub Date: June 1, 2021

ISBN: 978-84-18133-19-0

Page Count: 40

Publisher: NubeOcho

Review Posted Online: May 4, 2021

Kirkus Reviews Issue: May 15, 2021

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LITTLE BLUE TRUCK LOST AND FOUND

From the Little Blue Truck series

Fun times, fond friends, and a festive farmyard setting—little ones will be charmed.

Beep! Beep! Beep! Toad and Little Blue Truck get ready for a hayride.

After the titular vehicle is loaded with hay, Toad is nowhere to be found. “Beep! Beep! Beep! Where are you, Toad?” asks Little Blue Truck. All the barnyard animals look for him. Sheep searches the meadow. Goose and Duck check the pond. Others pitch in, too, but Toad seems to have disappeared…until Hen hears snoring coming from the pile of hay in the back of Little Blue Truck. Although the text’s scansion is imperfect in places (adults may want to pre-read to ensure a smooth read-aloud), the bouncy meter and rhyming text nevertheless capture the energy of the search and the farmyard community’s concern for Toad’s safety, making this a solid storytime choice. Eye-catching illustrations with rich, fully saturated colors balance the right level of detail while still highlighting the animal that is the focus of each verse. By introducing one farm animal at a time, Schertle also helps the youngest readers begin to identify barnyard animals by name and understand their unique farm homes. Traditional animal sounds are part of the text, and listeners will add them to their vocabulary. It all ends with the promised hayride, bringing the tale to a joyous ending.

Fun times, fond friends, and a festive farmyard setting—little ones will be charmed. (Picture book. 4-7)

Pub Date: Aug. 18, 2026

ISBN: 9780063436121

Page Count: 32

Publisher: Clarion/HarperCollins

Review Posted Online: July 20, 2026

Kirkus Reviews Issue: Aug. 15, 2026

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THE LITTLE GHOST WHO WAS A QUILT

From the Little Ghost Quilt Book series

Halloween is used merely as a backdrop; better holiday titles for young readers are available.

A ghost learns to appreciate his differences.

The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)

Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)

Pub Date: Sept. 1, 2020

ISBN: 978-0-7352-6447-2

Page Count: 48

Publisher: Tundra Books

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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