A convincing attack on today’s dysfunctional economy plus admirable suggestions for correcting matters.
A sweeping historical examination of the promises and limitations of technological advances in relation to important economic and social issues.
Complaints about the miseries of progress began well before the Industrial Revolution but mostly addressed miserable working conditions until well into the 20th century. Perhaps beginning with John Kenneth Galbraith’s The Affluent Society (1958), activists have broadened their targets to include government and social institutions. In this insightful analysis, MIT economics professors Acemoglu and Johnson begin with a painful fact. Since 1980, Americans without a college education have seen their earnings decline, while graduates with no postgraduate degree have gained a little. Hypereducated professionals, scientists, engineers, and financiers are prospering in what is becoming a highly stratified society. Rewinding the clock, the authors emphasize that wealth produced by the Industrial Revolution mostly benefited entrepreneurs, skilled technicians, and those who already possessed wealth. Workers in the new factories were worse off than in the countryside, and cities were crowded, squalid, and disease-ridden. Matters changed when the general public began to exert influence. The rise of democracy encouraged the growth of countervailing power structures, including unions. Once legislators owed their jobs to a mass electorate, they began looking after their interests, outlawing profitable but cruel practices and creating safety nets such as unemployment insurance and national health care. Worker income rose through most of the last century, until it stalled around 1980. This was not inevitable but rather the result of choices made by the drivers of technological progress and propelled by worship of the free market. Since then, opposition to cutting labor costs has almost vanished, producing automated services that eliminate jobs without benefiting customers. Toward the end, the authors offer a range of reasonable remedies, including a move to “significantly reduce or even fully eliminate payroll taxes.” Governments should redirect digital research away from their obsession with big data and surveillance toward green technology and machine usefulness rather than artificial intelligence.
A convincing attack on today’s dysfunctional economy plus admirable suggestions for correcting matters.Pub Date: May 16, 2023
ISBN: 9781541702530
Page Count: 560
Publisher: PublicAffairs
Review Posted Online: Feb. 17, 2023
Kirkus Reviews Issue: March 15, 2023
BOOK REVIEW
BOOK REVIEW
An unflinching self-portrait.
The tumultuous life of a bisexual, autistic comic.
In her debut memoir, Scottish comedian Brady recounts the emotional turmoil of living with undiagnosed autism. “The public perception of autistics is so heavily based on the stereotype of men who love trains or science,” she writes, “that many women miss out on diagnosis and are thought of as studious instead.” She was nothing if not studious, obsessively focused on foreign languages, but she found it difficult to converse in her own language. From novels, she tried to gain “knowledge about people, about how they spoke to each other, learning turns of phrase and metaphor” that others found so familiar. Often frustrated and overwhelmed by sensory overload, she erupted in violent meltdowns. Her parents, dealing with behavior they didn’t understand—including self-cutting—sent her to “a high-security mental hospital” as a day patient. Even there, a diagnosis eluded her; she was not accurately diagnosed until she was 34. Although intimate friendships were difficult, she depicts her uninhibited sexuality and sometimes raucous affairs with both men and women. “I grew up confident about my queerness,” she writes, partly because of “autism’s lack of regard for social norms.” While at the University of Edinburgh, she supported herself as a stripper. “I liked that in a strip club men’s contempt of you was out in the open,” she admits. “In the outside world, misogyny was always hovering in your peripheral vision.” When she worked as a reporter for the university newspaper, she was assigned to try a stint as a stand-up comic and write about it; she found it was work she loved. After “about a thousand gigs in grim little pubs across England,” she landed an agent and embarked on a successful career. Although Brady hopes her memoir will “make things feel better for the next autistic or misfit girl,” her anger is as evident as her compassion.
An unflinching self-portrait.Pub Date: June 6, 2023
ISBN: 9780593582503
Page Count: 288
Publisher: Harmony
Review Posted Online: March 10, 2023
Kirkus Reviews Issue: April 1, 2023
The choir is sure to enjoy this impassioned preaching on familiar progressive themes.
Essays on current political topics by a high-profile actor and activist.
Milano explains in an introduction that she began writing this uneven collection while dealing with a severe case of Covid-19 and suffering from "persistent brain fog.” In the first essay, "On Being Unapologetically Fucked Up,” the author begins by fuming over a February 2019 incident in which she compared MAGA caps worn by high school kids to KKK hoods. She then runs through a grab bag of flash-point news items (police shootings, border crimes, sexual predators in government), deploying the F-bomb with abandon and concluding, "What I know is that fucked up is as fundamental a state of the world as night and day. But I know there is better. I know that ‘less fucked up’ is a state we can live in.” The second essay, "Believe Women," discusses Milano’s seminal role in the MeToo movement; unfortunately, it is similarly conversational in tone and predictable in content. One of the few truly personal essays, "David," about the author's marriage, refutes the old saw about love meaning never having to say you're sorry, replacing it with "Love means you can suggest a national sex strike and your husband doesn't run away screaming." Milano assumes, perhaps rightly, that her audience is composed of followers and fans; perhaps these readers will know what she is talking about in the seemingly allegorical "By Any Other Name," about her bad experience with a certain rosebush. "Holy shit, giving birth sucked," begins one essay. "Words are weird, right?" begins the next. "Welp, this is going to piss some of you off. Hang in there," opens a screed about cancel culture—though she’s entirely correct that “it’s childish, divisive, conceited, and Trumpian to its core.” By the end, however, Milano's intelligence, compassion, integrity, and endurance somewhat compensate for her lack of literary polish.
The choir is sure to enjoy this impassioned preaching on familiar progressive themes.Pub Date: Oct. 26, 2021
ISBN: 978-0-593-18329-8
Page Count: 272
Publisher: Dutton
Review Posted Online: Aug. 16, 2021
Kirkus Reviews Issue: Sept. 1, 2021
BOOK REVIEW
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