An impressively pensive, impressionistic work from an attentive writer.
An Irish journalist’s memoir of his complicated years growing up in Derry, Northern Ireland, in the 1970s and ’80s—and the inevitable family of ghosts and victims.
In intimate, beautifully allusive vignettes, Anderson guides readers through his youth, when he was beleaguered by the perpetual violence within his Catholic working-class neighborhood. Despite the turmoil, the author effectively captures moments of charm in the early years—e.g., when he discovered the mysteries of radio, which is all the family had until TV arrived in the ’80s. He also conveys his admiration for his bodybuilding, blues-loving father, whose job as a gardener and groundskeeper in the local cemetery was misunderstood at the author’s school, where he was considered a “gravedigger.” Gradually, the innocent depictions grow more extreme. As conditions between the British and Irish continued to deteriorate—the military had the ability to spy on the locals via radio, and there were frequent bomb scares and armed checkpoints—Anderson felt the peer pressure to act out more outrageously and to partake in the panacea of choice, alcohol. Then the author breaks the narrative into “Da’s Folks” and “Ma’s Folks.” The former delineates grandfather Joseph’s humiliating legacy of desertion from the British army during World War II and later self-drowning in 1963 (his wife followed him into the river some years later). In “Ma’s Folks,” Anderson explores the life of his maternal grandfather, Anthony, a navy man who, though pro-British, “changed his smuggling habits” when the Germans occupied Ireland. Simmering violence bubbles underneath the entire text, often boiling over, and Anderson ably plumbs the salvatory theme of how his peaceable father, despite his mysterious past, helped break the cycle of violence for his son. Though different in mood and tone, this thoughtful memoir will appeal to readers of Patrick Radden Keefe’s Say Nothing, among other chronicles of the Troubles.
An impressively pensive, impressionistic work from an attentive writer.Pub Date: Aug. 4, 2020
ISBN: 978-0-374-27758-1
Page Count: 416
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
BOOK REVIEW
An intriguing but uneven family memoir and travelogue.
An author’s trip to Venice takes a distinctly Borgesian turn.
In November 2020, soccer club Venizia F.C. offered Nigerian American author Madu a writing residency as part of its plan “to turn the team into a global entity of fashion, culture, and sports.” Flying to Venice for the fellowship, he felt guilty about leaving his immigrant parents, who were shocked to learn upon moving to the U.S. years earlier that their Nigerian teaching certifications were invalid, forcing his father to work as a stocking clerk at Rite Aid to support the family. Madu’s experiences in Venice are incidental to what is primarily a story about his family, especially his strained relationship with his father, who was disappointed with many of his son’s choices. Unfortunately, the author’s seeming disinterest in Venice renders much of the narrative colorless. He says the trip across the Ponte della Libertà bridge was “magical,” but nothing he describes—the “endless water on both sides,” the nearby seagulls—is particularly remarkable. Little in the text conveys a sense of place or the unique character of his surroundings. Madu is at his best when he focuses on family dynamics and his observations that, in the largely deserted city, “I was one of the few Black people around.” He cites Borges, giving special note to the author’s “The House of Asterion,” in which the minotaur “explains his situation as a creature and as a creature within the labyrinth” of multiple mirrors. This notion leads to the Borgesian turn in the book’s second half, when, in an extended sequence, Madu imagines himself transformed into a minotaur, with “the head of a bull” and his body “larger, thicker, powerful but also cumbersome.” It’s an engaging passage, although stylistically out of keeping with much of what has come before.
An intriguing but uneven family memoir and travelogue.Pub Date: April 2, 2024
ISBN: 9781953368669
Page Count: 144
Publisher: Belt Publishing
Review Posted Online: Nov. 17, 2023
Kirkus Reviews Issue: Dec. 15, 2023
A slick, vacuous glimpse into the former first lady’s White House years.
A carefully curated personal portrait.
First ladies’ roles have evolved significantly in recent decades. Their memoirs typically reflect a spectrum of ambition and interests, offering insights into their values and personal lives. Melania Trump, however, stands out as exceptionally private and elusive. Her ultra-lean account attempts to shed light on her public duties, initiatives, and causes as first lady, and it defends certain actions like her controversial “I REALLY DON’T CARE, DO U?” jacket. The statement was directed at the media, not the border situation, she claims. Yet the book provides scant detail about her personal orbit or day-to-day interactions. The memoir opens with her well-known Slovenian origin story, successful modeling career, and whirlwind romance with Donald Trump, culminating in their 2005 marriage, followed by a snapshot of Election Day 2016: “Each time we were together that day, I was impressed by his calm.…This man is remarkably confident under pressure.” Once in the White House, Melania Trump describes her functions and numerous public events at home and abroad, which she asserts were more accomplished than media representations suggested. However, she rarely shares any personal interactions beyond close family ties, notably her affection for her son, Barron, and her sister, Ines. And of course she lavishes praise on her husband. Minimal anecdotes about White House or cabinet staff are included, and she carefully defuses her rumored tensions with Trump’s adult children, blandly stating, “While we may share the same last name, each of us is distinct with our own aspirations and paths to follow.” Although Melania’s desire to support causes related to children’s and women’s welfare feels authentic, the overall tenor of her memoir seems aimed at painting a glimmering portrait of her husband and her role, likely with an eye toward the forthcoming election.
A slick, vacuous glimpse into the former first lady’s White House years.Pub Date: Oct. 8, 2024
ISBN: 9781510782693
Page Count: 256
Publisher: Skyhorse Publishing
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Dec. 1, 2024
PERSPECTIVES
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
