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IMAGINARY CITIES

A TOUR OF DREAM CITIES, NIGHTMARE CITIES, AND EVERYWHERE IN BETWEEN

Anderson provides plenty of fodder for academic audiences.

An exuberant tour of cities, real and imaginary, far and wide.

An epigraph from Italo Calvino’s Invisible Cities—“Cities, like dreams, are made of desires and fears…everything conceals something else”—sets the stage for Scotland-based Irish writer Anderson’s (Serge Gainsbourg’s Histoire de Melody Nelson, 2013, etc.) “diminished non-fiction mirror” of Calvino’s book. Though Anderson lacks the Italian master’s poetic style, he makes up for it with energy and learning. He notes that a history of “ever-changing cities, whether real or unreal, must also be a history of the imagination.” Anderson’s approach owes much to the psychogeography school of thought and the seminal works of Borges and W.G. Sebald and recent writers like Iain Sinclair and Will Self. Rather than walk his cities, Anderson draws upon a postmodernist mashup of history, literature, film, art, philosophy, architecture, video games, and pop culture to weave in and out of them. A distant cousin to Robert Burton’s Anatomy of Melancholy, Anderson’s idiosyncratic and loosely organized compendium is filled to the brim with quotes and references. He opens with Marco Polo and his tales of the many cities he visited, real and fanciful. Then it’s off to Coleridge and his laudanum-infused city of Xanadu. Anderson then quickly infuses his commentary with Homer, engraver Theorodor de Brys, and poet Comte de Lautréamont by way of Cormac McCarthy’s Blood Meridian. Then comes Goya, De Quincey, and Doré, all in the space of three pages. Written in an aphoristic, epigrammatic style, Anderson’s cascade of language and sources borders on the rambling. His discussions about cities and how they have been created and explored in history and myth become hard to follow. There’s much to admire here, but the sheer mass of information—and hundreds of footnotes, many quite fascinating (“the subliminal sense of unease towards pleasure parks is evident in the ease with which it is turned into dystopia—Westworld, The Prisoner, Eurobosch, Tommy’s Holiday Camp”)—often overwhelms.

Anderson provides plenty of fodder for academic audiences.

Pub Date: April 10, 2017

ISBN: 978-0-226-47030-6

Page Count: 576

Publisher: Univ. of Chicago

Review Posted Online: Jan. 22, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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