An extremely impressive blend of escapism and portraiture of the human condition, following in the footsteps of Jorge Luis...
Kastin (The Undiscovered Island, 2009) uses the landscape and culture of the Azores, his maternal homeland, to marvelous effect in this spellbinding collection of short stories that tend toward folklore and magical realism.
Nine islands off the coast of Portugal are the setting for this debut collection of 18 stories that reach for universality in both meaning and appeal. Each tale chronicles the curious fate of an islander beset by forces of nature, the supernatural, and often family and neighbors. A woman can steal others’ pain; another, after hearing angelic voices in the waves, is swept out to sea only to return alive, though she now grows seasick on solid ground. A dress can win a man’s love. Witch conjurings can carry a fisherman’s boat from its dock to a distant beach, landing him at the feet of his future wife. Even death might not detach men and women from the patterns of life: A skeleton craves and tastes wine, and relationships flourish among the dead. Kastin’s captivating stories are beautifully crafted, transporting readers on these strange journeys. The conflicts and travails have a timeless air; only a few are unambiguously set in modern times, and most could take place at any point in the last few centuries. Each story stands and succeeds alone, yet as a whole, the collection offers a convincing view of life as a fierce adventure, often uncontrollable and always awe-inspiring. In this stellar show of magical realism, the supernatural is accepted as fact by characters who observe or encounter it. For better or worse, it informs and transforms their lives. Readers, too, will be enchanted by its power.
An extremely impressive blend of escapism and portraiture of the human condition, following in the footsteps of Jorge Luis Borges and Gabriel García Márquez.Pub Date: Dec. 11, 2012
ISBN: 978-1-933227-41-2
Page Count: 176
Publisher: Tagus
Review Posted Online: March 19, 2014
Kirkus Reviews Issue: May 1, 2014
Review Program: Kirkus Indie
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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