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WHOSE POOP IS THAT?

A primer on poop and a guessing game, especially for those just beyond toilet training.

Owl pellets, coprolites, bird droppings, and honking big turds—whose waste is that?

Lunde uses a question-and-answer format to show how animal droppings vary and how they relate to animals’ diets. This picture book may seem slight, covering only seven animals (fox, African elephant, panda, owl, Galápagos tortoise, gull, and the extinct ground sloth), but it reflects a careful choice of examples demonstrating the wide variety of animal diets, eating styles, and defecation habits. Four pages are devoted to each animal. The first double-page spread shows a series of footprints and a mysterious object, asks the title question (or a variant), and describes the object. The page turn reveals the animal, pictured in its habitat. A short paragraph tells why the poop contains what readers see. Feces fans can find further information in two pages of backmatter, “The Scoop on Poop” and “Animal Poop Facts.” Oseid’s illustrations, done in pen and ink and colored digitally, have shadows suggesting the three-dimensionality of the droppings and pleasing, soothing color choices. For a younger audience than most recent titles about animal excrement, this might make a nice pair with Taro Gomi’s classic Everyone Poops (2001).

A primer on poop and a guessing game, especially for those just beyond toilet training. (Informational picture book. 3-7)

Pub Date: Jan. 10, 2017

ISBN: 978-1-57091-798-1

Page Count: 32

Publisher: Charlesbridge

Review Posted Online: Nov. 5, 2016

Kirkus Reviews Issue: Nov. 15, 2016

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CREEPY CARROTS!

Serve this superbly designed title to all who relish slightly scary stories.

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Kids know vegetables can be scary, but rarely are edible roots out to get someone. In this whimsical mock-horror tale, carrots nearly frighten the whiskers off Jasper Rabbit, an interloper at Crackenhopper Field.

Jasper loves carrots, especially those “free for the taking.” He pulls some in the morning, yanks out a few in the afternoon, and comes again at night to rip out more. Reynolds builds delicious suspense with succinct language that allows understatements to be fully exploited in Brown’s hilarious illustrations. The cartoon pictures, executed in pencil and then digitally colored, are in various shades of gray and serve as a perfectly gloomy backdrop for the vegetables’ eerie orange on each page. “Jasper couldn’t get enough carrots … / … until they started following him.” The plot intensifies as Jasper not only begins to hear the veggies nearby, but also begins to see them everywhere. Initially, young readers will wonder if this is all a product of Jasper’s imagination. Was it a few snarling carrots or just some bathing items peeking out from behind the shower curtain? The ending truly satisfies both readers and the book’s characters alike. And a lesson on greed goes down like honey instead of a forkful of spinach.

Serve this superbly designed title to all who relish slightly scary stories. (Picture book. 4-7)

Pub Date: Aug. 21, 2012

ISBN: 978-1-4424-0297-3

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: May 1, 2012

Kirkus Reviews Issue: Aug. 1, 2012

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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