An unusually satisfying sequel that maintains and expands the evocation and drama of the saga.



The second installment of a fantasy series that continues the exploration of the byzantine city of Grimpkin and the renewed trials of the story’s engaging heroine.

This novel continues in the dense, deliberate, evocative style of its predecessor, Dominion (2010). Opening in the dankness of a cell and amid the alchemical smells of the great city of Grimpkin, no time is wasted in re-incanting this atmospheric world for readers. From the sights of the Goliath, a darker, parallel vision of the Colossus of Rhodes, and the cacophony of the Goblin Knight Inn, these spaces function as perfect canvasses for the attentive prose that adorns every page. Most important, though, is the return of Lakif, a member of the Acaanan race, most hated by humans. She sets her sights initially on the Vulcan, a dark, fiery region, in a vain attempt to release the burden of the Rare Earth Stone that entraps the heart of her mother. But even the massive, masterful blacksmiths of the region cannot penetrate the mystical mineral. Chestney concisely explores somewhat more contemporary, satiric and mature themes here, as when Lakif finds herself in the languid lounge of a group of pederast philosophers who take the light, lovely Lakif for a young boy. It’s a brief episode where little changes for Lakif, but some tonal changes feel too unexpected not to be awkward, as when Lakif must protest that she is not a homosexual. However, it’s part of the broader indebtedness to the classics that Chestney delights in. The story is deeply episodic, and sometimes this density of encounters is overwhelming. But with every plot point so lovingly rendered and Lakif’s inner-life pored over with sympathy, her potentially penultimate journey is rarely as difficult for the reader as it is for her. As with most fantasy series, the endings are revelatory, but not to the point where readers aren’t left waiting and wanting that final denouement. This novel ends with the whispers of new adventure, and if the series continues as is, readers surely won’t be disappointed.

An unusually satisfying sequel that maintains and expands the evocation and drama of the saga.

Pub Date: Dec. 10, 2011

ISBN: 978-0984070732

Page Count: 359

Publisher: Daryl Chestney

Review Posted Online: Dec. 2, 2011

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.


Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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An almost-but-not-quite-great slavery novel.

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The celebrated author of Between the World and Me (2015) and We Were Eight Years in Power (2017) merges magic, adventure, and antebellum intrigue in his first novel.

In pre–Civil War Virginia, people who are white, whatever their degree of refinement, are considered “the Quality” while those who are black, whatever their degree of dignity, are regarded as “the Tasked.” Whether such euphemisms for slavery actually existed in the 19th century, they are evocatively deployed in this account of the Underground Railroad and one of its conductors: Hiram Walker, one of the Tasked who’s barely out of his teens when he’s recruited to help guide escapees from bondage in the South to freedom in the North. “Conduction” has more than one meaning for Hiram. It's also the name for a mysterious force that transports certain gifted individuals from one place to another by way of a blue light that lifts and carries them along or across bodies of water. Hiram knows he has this gift after it saves him from drowning in a carriage mishap that kills his master’s oafish son (who’s Hiram’s biological brother). Whatever the source of this power, it galvanizes Hiram to leave behind not only his chains, but also the two Tasked people he loves most: Thena, a truculent older woman who practically raised him as a surrogate mother, and Sophia, a vivacious young friend from childhood whose attempt to accompany Hiram on his escape is thwarted practically at the start when they’re caught and jailed by slave catchers. Hiram directly confronts the most pernicious abuses of slavery before he is once again conducted away from danger and into sanctuary with the Underground, whose members convey him to the freer, if funkier environs of Philadelphia, where he continues to test his power and prepare to return to Virginia to emancipate the women he left behind—and to confront the mysteries of his past. Coates’ imaginative spin on the Underground Railroad’s history is as audacious as Colson Whitehead’s, if less intensely realized. Coates’ narrative flourishes and magic-powered protagonist are reminiscent of his work on Marvel’s Black Panther superhero comic book, but even his most melodramatic effects are deepened by historical facts and contemporary urgency.

An almost-but-not-quite-great slavery novel.

Pub Date: Sept. 24, 2019

ISBN: 978-0-399-59059-7

Page Count: 432

Publisher: One World/Random House

Review Posted Online: July 1, 2019

Kirkus Reviews Issue: July 15, 2019

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