Superior, with plenty of crossover teen appeal.
New dark fantasy from the author of the splendid Afterparty (2014, etc.).
As a young boy, Harrison Harrison, aka Harrison Squared, or H2, experienced a horrific incident in a boat (he tries to suppress memories of tentacles and teeth) that cost him his leg and left him with a morbid fear of the water. Now 16, equipped with an advanced prosthetic, he moves with his marine-biologist mother, Rosa, to the gloomy and forbidding coastal town of Dunnsmouth, Massachusetts, where she intends to pursue her research. As she goes out on the water, Harrison investigates the mausoleumlike local high school. Inside, it’s dim, dank and labyrinthine; the classes are nautically themed, with sidebars on the merits of totalitarianism and the reanimation of dead frogs. And the students seem unnaturally well-behaved. Harrison’s expected to swim in the basement pool and refuses; he finds the school lunch disgusting and, in the library, discovers a ghost that only he can see. Rosa’s boat vanishes. Harrison refuses to believe she’s dead. Somebody steals his prized comic book while leaving a note saying his mother is still alive. One of the students, Lydia Palwick, thaws a little and shows him how the students use a secret sign language to communicate. The author of the note turns out to be a half-fish, half-human creature named Lub; he’s one of the Dwellers who live in the sea beyond the harbor, and their elders are hatching horrid plans. Most readers will grin at Gregory’s deft, spiky parody of high school. For the rest, it’s a tale handled with confidence and control, with loads of salty, piscine atmosphere, but it’s perhaps a little too self-consciously reminiscent of Lovecraft or Clark Ashton Smith.
Superior, with plenty of crossover teen appeal.Pub Date: March 24, 2015
ISBN: 978-0-7653-7695-4
Page Count: 320
Publisher: Tor
Review Posted Online: Jan. 7, 2015
Kirkus Reviews Issue: Jan. 15, 2015
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
PROFILES
BOOK TO SCREEN
BOOK TO SCREEN
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