A skillfully written family drama that employs quirk and magic with grace.

SPOONBENDERS

In a nimble and substantial novel, Gregory (Harrison Squared, 2015, etc.) delves into the lives of the members of the eccentric and psychically gifted Telemachus family.

On a summer day in 1963, Teddy Telemachus, a flamboyant and charming con man, card shark, and devotee of sleight of hand, cheats his way into a government study about psychic abilities. He meets Maureen McKinnon, a genuine psychic of enormous and mysterious power, and immediately falls in love with her. They get married, have three children with particular psychic gifts, and become famous as the Amazing Telemachus Family until a combination of televised embarrassment and personal loss begins to unravel their lives. Thirty years later, the Telemachus family’s lives are in tatters and sliding ever further into the dreariness of debt, unhappiness, and possible mental instability when the 14-year-old Matty Telemachus plunges them back into a world of cleverly plotted and swiftly paced adventure. Gregory’s novel deploys a cast of odd, damaged, enormously likable characters in a complex story that gracefully balances the outrageous melodrama of Chicago mobsters and shadowy government agencies with the ordinary mysteries of family dynamics. Each of the characters, even when absurdly cartoonish, has a precise energy and depth that makes him or her irresistible. The chapters shift between their points of view, revealing different threads of the story with masterful control and giving the novel an illusion of gleeful messiness and the argumentative, frequently poignant feeling of a family gathering. While the novel revels in elements that entertain—criminal capers, magic, nostalgia for the internet chat rooms and computer paraphernalia of the 1990s—it never shies away from the real emotion of digging up the lies and illusions that sink into every family history. Readers will emerge from the fray sure they know each Telemachus down to the smudges on their hearts.

A skillfully written family drama that employs quirk and magic with grace.

Pub Date: June 27, 2017

ISBN: 978-1-5247-3182-3

Page Count: 416

Publisher: Knopf

Review Posted Online: April 1, 2017

Kirkus Reviews Issue: April 15, 2017

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...

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MAYBE SOMEDAY

Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 6, 2014

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

ALL YOUR PERFECTS

Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: April 30, 2018

Kirkus Reviews Issue: May 15, 2018

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