Well-developed female leads and loads of action and adventure make this a page-turning, if slightly predictable, read.
The first installment in Kulak’s new series is a thriller revolving around three female best friends and their attempt to rescue one of their own who becomes entangled with a sex trafficking ring.
Angie Hunter, Tiffany Knight, and Kaylee McDouglas have been close friends ever since childhood. Having grown up in Mount Miffsberg, the trio are still living in the town—and not exactly living the dream. Angie is a welder who moonlights teaching martial arts; Kaylee works at a sewage treatment plant, and Tiffany is a self-described “worthless stripper.” When Kaylee announces to her friends that she is engaged to a shady businessman from Bulgaria—and that she is traveling to the Balkans to meet her new fiance’s parents—Angie and Tiff know immediately that something isn’t right. After Kaylee’s text messages stop shortly after she arrives in Bulgaria, her two friends realize that she’s in danger. They don’t know where she is—or if she is even alive at all—so they travel to Bulgaria to investigate. Not knowing the language makes their mission difficult, but they befriend some locals—Og, a handsome bartender, and Dueza, a transgender woman with an intimate knowledge of the Bulgarian Mafia. They begin to piece together the tidbits of information. Kaylee’s fiance, it seems, is the head of a criminal organization that abducts women from all over the world and forces them into a life of sexual trafficking.
A healthy suspension of disbelief is needed here; the welder and her stripper friend take on and defeat, on numerous occasions, members of the Bulgarian mafia. The fight scenes, however, are well choreographed and believable, to an extent: “As soon as [Angie] had disabled his punching arm, she moved her quiet attention to his forward knee and kicked right through the tender cartilage, yielding a monstrous howl from the man. Elbow gone, knee gone. Not much he could do now except crumple to the floor. As he dropped, Angie pinched hard at the side of his neck until he fully passed out.” The humor is also a plus, making for some laugh-out-loud sequences. In one fight sequence, for example, Tiffany’s bout of explosive diarrhea helps to save the day: “Tiff couldn’t hold it any longer. She bent forward to let her colon relieve itself onto the lower half of Igor’s expensive suit.” But the real strengths here are twofold—the emotional connection and power of the three friends’ relationships and the thematic gravity of international sex trafficking. Kulak could’ve easily included gratuitous sex scenes to underscore the horrors of sexual slavery but, rightfully so, he only alludes to the brutality. The way the abductors treat women as objects, particularly American women, is terrifying enough: “We take America’s riches. The bitches are the riches.” The storyline does have minor issues, however, aside from the highly unlikely issue of two people going up against an entire crime syndicate. The overall ending concerning the three friends is a foregone conclusion—although the author does include a tantalizing twist that savvily leaves the door open for a natural sequel—and the description of Mount Miffsberg is underwhelming. The depiction of a rural American town could’ve had much a more thematic impact, but is only superficially explored.
Well-developed female leads and loads of action and adventure make this a page-turning, if slightly predictable, read.Pub Date: Aug. 23, 2024
ISBN: 9781304213860
Page Count: 251
Publisher: Lulu.com
Review Posted Online: Dec. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2025
Review Program: Kirkus Indie
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.
Character assassination reigns supreme, if not uncontested, in a Long Island suburb.
April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.Pub Date: March 3, 2026
ISBN: 9781464249600
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: Dec. 6, 2025
Kirkus Reviews Issue: Jan. 15, 2026
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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