ON PURPOSE

From the Cat Kid Comic Club series , Vol. 3

The next meeting can’t come soon enough.

The Cat Kid Comic Club reconvenes!

When last readers saw them, Melvin and Naomi had just submitted Naomi’s comic to “that publisher lady”; the action here picks up 10 minutes later as the little frogs endure the agony of waiting for a response. Fortunately, the club’s next meeting gives them the opportunity to share Naomi’s opus, The Under Werewolves, a metrically flawless celebration of the universality of underwear. Alas, “that publisher lady” rejects it, writing, “The idea that everyone is the same fails to take into account how people are treated differently in the world.” Chagrined, Naomi gives up on comics (but not her determination to make it rich) and apologizes to two siblings she’s afraid she may have hurt with her story’s gender assumptions. Agent Melvin, on the other hand, submits two other sibling-created comics; maybe there’s an ice cream machine in the little frogs’ future after all. The drama is breathlessly reported by Dog Man regular Sarah Hatoff, who presents White (cameraman Roscoe has brown skin). Here exploring the concept of purpose, Pilkey lets characters and readers ponder its complexity—with butt jokes keeping the tone light. While its theme is not as clearly developed as the previous volume’s, this episode nevertheless presents the series’ now-trademark winning mix of sibling hijinks and club members’ comics, rendered in a variety of styles.

The next meeting can’t come soon enough. (notes) (Graphic fiction. 7-11)

Pub Date: April 5, 2022

ISBN: 978-1-338-80194-1

Page Count: 224

Publisher: Graphix/Scholastic

Review Posted Online: April 26, 2022

Kirkus Reviews Issue: May 15, 2022

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DOG MAN AND CAT KID

From the Dog Man series , Vol. 4

More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low.

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Recasting Dog Man and his feline ward, Li’l Petey, as costumed superheroes, Pilkey looks East of Eden in this follow-up to Tale of Two Kitties (2017).

The Steinbeck novel’s Cain/Abel motif gets some play here, as Petey, “world’s evilest cat” and cloned Li’l Petey’s original, tries assiduously to tempt his angelic counterpart over to the dark side only to be met, ultimately at least, by Li’l Petey’s “Thou mayest.” (There are also occasional direct quotes from the novel.) But inner struggles between good and evil assume distinctly subordinate roles to riotous outer ones, as Petey repurposes robots built for a movie about the exploits of Dog Man—“the thinking man’s Rin Tin Tin”—while leading a general rush to the studio’s costume department for appropriate good guy/bad guy outfits in preparation for the climactic battle. During said battle and along the way Pilkey tucks in multiple Flip-O-Rama inserts as well as general gags. He lists no fewer than nine ways to ask “who cut the cheese?” and includes both punny chapter titles (“The Bark Knight Rises”) and nods to Hamiltonand Mary Poppins. The cartoon art, neatly and brightly colored by Garibaldi, is both as easy to read as the snappy dialogue and properly endowed with outsized sound effects, figures displaying a range of skin colors, and glimpses of underwear (even on robots).

More trampling in the vineyards of the Literary Classics section, with results that will tickle fancies high and low. (drawing instructions) (Graphic fantasy. 7-10)

Pub Date: Dec. 26, 2017

ISBN: 978-0-545-93518-0

Page Count: 256

Publisher: Graphix/Scholastic

Review Posted Online: May 13, 2018

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DOG MAN

From the Dog Man series , Vol. 1

What a wag.

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What do you get from sewing the head of a smart dog onto the body of a tough police officer? A new superhero from the incorrigible creator of Captain Underpants.

Finding a stack of old Dog Mancomics that got them in trouble back in first grade, George and Harold decide to craft a set of new(ish) adventures with (more or less) improved art and spelling. These begin with an origin tale (“A Hero Is Unleashed”), go on to a fiendish attempt to replace the chief of police with a “Robo Chief” and then a temporarily successful scheme to make everyone stupid by erasing all the words from every book (“Book ’Em, Dog Man”), and finish off with a sort of attempted alien invasion evocatively titled “Weenie Wars: The Franks Awaken.” In each, Dog Man squares off against baddies (including superinventor/archnemesis Petey the cat) and saves the day with a clever notion. With occasional pauses for Flip-O-Rama featurettes, the tales are all framed in brightly colored sequential panels with hand-lettered dialogue (“How do you feel, old friend?” “Ruff!”) and narrative. The figures are studiously diverse, with police officers of both genders on view and George, the chief, and several other members of the supporting cast colored in various shades of brown. Pilkey closes as customary with drawing exercises, plus a promise that the canine crusader will be further unleashed in a sequel.

What a wag. (Graphic fantasy. 7-9)

Pub Date: Aug. 30, 2016

ISBN: 978-0-545-58160-8

Page Count: 240

Publisher: Graphix/Scholastic

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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