Florida’s humorist laureate finds chaos and comedy in the Everglades.
Gold bars, pythons, and TikTok videos of swamp monsters add up to a hilarious Florida tale.
Jesse Braddock has a spectacularly handsome boyfriend and a darling baby girl, but she’s not feeling the happily-ever-after. Slater may look like “classic Tom Cruise,” but he’s a philanderer who’s spent most of Jesse’s trust fund, and now they’re living in a broken-down cabin in the Everglades with Slater’s videographer pal, Kark, “and ninety trillion mosquitoes. And no money.” Slater and Kark’s highest ambition is to sell a reality TV show called Glades Man, which would feature Slater taking his shirt off among the palmettos. After a close encounter with a python, Jesse is developing an ambition to take baby Willa and flee, but how? Nearby, Ken and Brad Bortle, proprietors of the failing Bortle Brothers Bait & Beer, are cooking up a get-rich scheme of their own (well, Ken’s). After seeing a viral video of Phil Teagler, an alcoholic former newspaper reporter, attempting to play a costumed character at a rich little girl’s birthday party, with dire but hilarious results, Ken has the idea of making a video of Phil playing a cryptid, which they dub the Everglades Melon Monster for its giant head (from a repurposed Dora the Explorer costume). Once that hits the sound and fury of TikTok, they’ll sell a ton of Melon Monster merch. When Ken, Kark, and Slater meet, they quickly realize they can join forces: Glades Man vs. Melon Monster. Meanwhile, Jesse has literally stumbled upon a legendary cache of Civil War–era gold bars buried in the Glades long ago. She has also run afoul of the Campbell brothers, Duck and Billy, a couple of ex-cons who, despite their childish nicknames, are mean as snakes but not as smart. In desperate need of help and a ride to Miami to consult a lawyer, she joins forces with Brad. All of those plot threads will get further entangled with Eastern European mobsters, the secretary of the interior, and a python hunter with an “emotional support boar,” among other things. Barry makes mirth of all this mayhem with his usual aplomb.
Florida’s humorist laureate finds chaos and comedy in the Everglades.Pub Date: May 2, 2023
ISBN: 9781982191337
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: March 10, 2023
Kirkus Reviews Issue: April 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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