A lyrical, unsparing, intricately woven, if not always surprising, portrait of a celebrated writer.
A debut novel focuses on a surly literary star.
Marvin Goodspeed has found great success as an author. He left the corporate world to write a “satirical epic” of modern life that has fans entranced. Even if some critics are skeptical, his first book, The Satellite Man,has sold well. Not that the casual onlooker would know Marv is a famous writer. He drinks a lot, spending a good deal of his time at a local establishment called Asa Inman Blue Ribbon Buffet. He’ll also smash a radio to smithereens if it disturbs his writing. He’ll even turn violent in an interview if the questions get too confrontational. When readers first meet Marv, it is 1997. He lives in a Southern city in the midst of a revitalization/gentrification movement. Though gang violence occasionally occurs, the place features hip curiosities like a former gas station that’s been turned into a cool bar. This city is also home to an alternative local paper called The Weekly. Cyrus Cleburne is an enterprising Weeklyjournalist bent on trying to get to the bottom of the renowned local author and all that makes him tick. The prose throughout Buckhout’s stylized literary novel produces dense poetry. Marv’s city includes a “zone separating the immaculate staged snapshot city leaders wish to portray from the cordoned-off beat down blocks no one outside them needs know exist.” At one point, Marv reflects on how, for the average worker, “freedom is painfully incremental, a thing achieved in small slivers over expanses of well-murdered time, if at all.” Such passages paint vivid, nuanced pictures. But some of the details about Marv’s complex journey are not as enthralling. Readers learn much about his life, such as the events at the bar he frequents and the day he broke free from the corporate world. The activities at the bar are exactly what readers would expect (arguments over Bob Dylan; excitement about a baseball game). Marv’s freedom story is equally predictable (he’d “stopped not even to clean out his desk”). Readers will instead be interested in finding out where the truculent protagonist will eventually land. After all, the ’90s won’t last forever. What will the future hold for a wild genius like Marv?
A lyrical, unsparing, intricately woven, if not always surprising, portrait of a celebrated writer.Pub Date: April 22, 2021
ISBN: 978-1-63649-576-7
Page Count: 382
Publisher: Atmosphere Press
Review Posted Online: Nov. 16, 2021
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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