A lyrical, unsparing, intricately woven, if not always surprising, portrait of a celebrated writer.
A debut novel focuses on a surly literary star.
Marvin Goodspeed has found great success as an author. He left the corporate world to write a “satirical epic” of modern life that has fans entranced. Even if some critics are skeptical, his first book, The Satellite Man,has sold well. Not that the casual onlooker would know Marv is a famous writer. He drinks a lot, spending a good deal of his time at a local establishment called Asa Inman Blue Ribbon Buffet. He’ll also smash a radio to smithereens if it disturbs his writing. He’ll even turn violent in an interview if the questions get too confrontational. When readers first meet Marv, it is 1997. He lives in a Southern city in the midst of a revitalization/gentrification movement. Though gang violence occasionally occurs, the place features hip curiosities like a former gas station that’s been turned into a cool bar. This city is also home to an alternative local paper called The Weekly. Cyrus Cleburne is an enterprising Weeklyjournalist bent on trying to get to the bottom of the renowned local author and all that makes him tick. The prose throughout Buckhout’s stylized literary novel produces dense poetry. Marv’s city includes a “zone separating the immaculate staged snapshot city leaders wish to portray from the cordoned-off beat down blocks no one outside them needs know exist.” At one point, Marv reflects on how, for the average worker, “freedom is painfully incremental, a thing achieved in small slivers over expanses of well-murdered time, if at all.” Such passages paint vivid, nuanced pictures. But some of the details about Marv’s complex journey are not as enthralling. Readers learn much about his life, such as the events at the bar he frequents and the day he broke free from the corporate world. The activities at the bar are exactly what readers would expect (arguments over Bob Dylan; excitement about a baseball game). Marv’s freedom story is equally predictable (he’d “stopped not even to clean out his desk”). Readers will instead be interested in finding out where the truculent protagonist will eventually land. After all, the ’90s won’t last forever. What will the future hold for a wild genius like Marv?
A lyrical, unsparing, intricately woven, if not always surprising, portrait of a celebrated writer.Pub Date: April 22, 2021
ISBN: 978-1-63649-576-7
Page Count: 382
Publisher: Atmosphere Press
Review Posted Online: Nov. 16, 2021
Review Program: Kirkus Indie
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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