A lyrical, unsparing, intricately woven, if not always surprising, portrait of a celebrated writer.
A debut novel focuses on a surly literary star.
Marvin Goodspeed has found great success as an author. He left the corporate world to write a “satirical epic” of modern life that has fans entranced. Even if some critics are skeptical, his first book, The Satellite Man,has sold well. Not that the casual onlooker would know Marv is a famous writer. He drinks a lot, spending a good deal of his time at a local establishment called Asa Inman Blue Ribbon Buffet. He’ll also smash a radio to smithereens if it disturbs his writing. He’ll even turn violent in an interview if the questions get too confrontational. When readers first meet Marv, it is 1997. He lives in a Southern city in the midst of a revitalization/gentrification movement. Though gang violence occasionally occurs, the place features hip curiosities like a former gas station that’s been turned into a cool bar. This city is also home to an alternative local paper called The Weekly. Cyrus Cleburne is an enterprising Weeklyjournalist bent on trying to get to the bottom of the renowned local author and all that makes him tick. The prose throughout Buckhout’s stylized literary novel produces dense poetry. Marv’s city includes a “zone separating the immaculate staged snapshot city leaders wish to portray from the cordoned-off beat down blocks no one outside them needs know exist.” At one point, Marv reflects on how, for the average worker, “freedom is painfully incremental, a thing achieved in small slivers over expanses of well-murdered time, if at all.” Such passages paint vivid, nuanced pictures. But some of the details about Marv’s complex journey are not as enthralling. Readers learn much about his life, such as the events at the bar he frequents and the day he broke free from the corporate world. The activities at the bar are exactly what readers would expect (arguments over Bob Dylan; excitement about a baseball game). Marv’s freedom story is equally predictable (he’d “stopped not even to clean out his desk”). Readers will instead be interested in finding out where the truculent protagonist will eventually land. After all, the ’90s won’t last forever. What will the future hold for a wild genius like Marv?
A lyrical, unsparing, intricately woven, if not always surprising, portrait of a celebrated writer.Pub Date: April 22, 2021
ISBN: 978-1-63649-576-7
Page Count: 382
Publisher: Atmosphere Press
Review Posted Online: Nov. 16, 2021
Review Program: Kirkus Indie
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
