A satirical thriller that offers witty observations in a sprawling framework.
An alternately playful and serious novel set in a vaguely limned dystopian future.
Debut novelist Crawford, like most satirists, extrapolates from aspects of current reality to see where things might lead. This story begins in a depressing pocket of poverty reminiscent of Central America, from which the protagonist, Max, escapes to the U.S., aka “the Deadly Serious Republic” or “the DSR.” Once there, he searches for his hapless father, Dingle. Enter the other main character, Memie Benzlo, one of the richest young women in the DSR (and the world), who gravitates toward communism despite her suffocating wealth. Max and Memie make an unlikely team, with Memie continually spouting off and running off, and levelheaded Max doing his best to keep her from getting killed. The early chapters are picaresque and relatively lighthearted, and Crawford apparently enjoys taking potshots at easy targets such as runaway capitalism, casual violence, rampant privatization (with the Bombs R Us Corporation) and parties of all stripes (with the Neo Nazis, the Not so Neo Nazis, the Nasty Peoples Party, and others). He also has fun with barely disguised names, such as the city of New Pork, the economist Milton Trickledown, and the media baron Robert Newsdock. When things get ugly and people start getting killed, Max and Memie go on the run for their lives—although Memie, the ideologue, refuses to take it seriously. However, this is where the book turns into a genuine suspense thriller, and although aficionados of such novels may feel that Crawford has yet to master the genre, he certainly gives it a good try. The heroes flit from corrupt African islands to corrupt Caribbean ones, battling evil all the way, and their final nemesis, Leopold Duraka, could have stepped out of a James Bond movie. The ending is both surprising and unsettling, as the author slyly indicts a society in which there are no real winners. Those who agree with the author’s left-leaning politics will most enjoy this novel, but those who don’t may still enjoy its cleverness.
A satirical thriller that offers witty observations in a sprawling framework.Pub Date: June 6, 2013
ISBN: 978-1483648958
Page Count: 288
Publisher: Xlibris
Review Posted Online: Jan. 7, 2014
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
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