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SEE JOHN PLAY

Readers will appreciate the author’s meticulous, steady progression of plot and characters.

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DiGrazie’s (Von Lagerhaus, 2011) latest mystery introduces golfer John Kaminski, whose journey to the brink of fame and fortune would be considerably easier if he wasn’t also trying to juggle two women and a gambling addiction.

John’s golf career hasn’t quite panned out the way he’d envisioned. His in-laws have already bailed him out once, but he’s in debt again after spending too much time at a low-rent casino with girlfriend Val while wife Connie and daughter Laurie wait at home. Thuggish Sammy suggests a way for John to wipe out his debt completely: play tournaments and throw a percentage of the winnings to Sammy. Joined by his lucky charm, Val, John surprises everyone when he starts winning big. But Connie’s distrust of John is mounting, and things only get more complicated with the introduction of John’s estranged father, the puzzling death of his mother, and a mysterious woman named Brenda, who takes a sudden interest in the champion golfer. DiGrazie’s book initially plays like a romance novel: Connie questions her marriage, believing her husband to be adulterous; her sister even dupes her into a blind date. But once John starts hitting the tours, the book becomes a rousing tale of character interplay: On tour, John and Val are joined by Sammy’s cousin, Mad Tommy, before Connie and Laurie make an unexpected visit. Add to the mix John’s caddie, Frenchy, and an agent and family friend whom Connie insists John hire. Fortunately, each character is fully incorporated into the story. The sequences with John on the golf course read like commentators’ remarks; they may not create any new golf fans, but they’re essential to the plot. Everyone, it seems, cheers on unlikable John, even those who hate him. Yet DiGrazie succeeds in refining him as a character who ultimately recognizes his own flaws. Humor helps: It’s funny to watch a golfer who’s just won almost a million dollars ask someone to pay for his gas.

Readers will appreciate the author’s meticulous, steady progression of plot and characters.

Pub Date: April 20, 2012

ISBN: 978-0984003631

Page Count: 320

Publisher: Wine Flash

Review Posted Online: May 22, 2012

Kirkus Reviews Issue: June 15, 2012

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BRIDE

Sink your teeth into this delightful paranormal romance with a modern twist.

A vampire and an Alpha werewolf enter into a marriage of convenience in order to ease tensions between their species.

As the only daughter of a prominent Vampyre councilman, Misery Lark has grown accustomed to playing the role that’s demanded of her—and now, her father is ordering her to be part of yet another truce agreement. In an effort to maintain goodwill between the Vampyres and their longtime nemeses the Weres, Misery must wed their Alpha, Lowe Moreland. But it turns out that Misery has her own motivations for agreeing to this political marriage, including finding answers about what happened to her best friend, who went missing after setting up a meeting in Were territory. Isolated from her kind and surrounded on all sides by the enemy after the wedding, Misery refuses to let herself forget about her real mission. It doesn’t matter that Lowe is one of the most confounding and intense people she’s ever met, or that the connection building between them doesn’t feel like one born entirely of convenience. There’s also the possibility that Lowe may already have a Were mate of his own, but in spite of their biological differences, they may turn out to be the missing piece in each other’s lives. While this is Hazelwood’s first paranormal romance, and the book does lean on some hallmark tropes of the genre, the contemporary setting lends itself to the author’s trademark humor and makes the political plot more easily digestible. Misery and Lowe’s slow-burn romance is appealing enough that readers will readily devour every moment between them and hunger to return to them whenever the story diverts from their scenes together.

Sink your teeth into this delightful paranormal romance with a modern twist.

Pub Date: Feb. 6, 2024

ISBN: 9780593550403

Page Count: 416

Publisher: Berkley

Review Posted Online: Oct. 21, 2023

Kirkus Reviews Issue: Nov. 15, 2023

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IT ENDS WITH US

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 30, 2016

Kirkus Reviews Issue: June 15, 2016

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