An unassuming but deceptively complex morality play, as Eggers distills his ongoing concerns into ever tighter prose.
A plan to lay down a roadway runs into a few barriers in this parable of friendship and politics.
The pared-down style and global themes that Eggers has embraced since A Hologram for the King (2012)—he may be the only living American writer for whom the term “Hemingway-esque” meaningfully applies—have restricted him to writing two kinds of novels. Eggers the Compassionate Realist focuses on men and women forced to adapt to economic shifting sands (Hologram; Heroes of the Frontier, 2016); Eggers the Dour Lecturer focuses on social justice concerns in ways that smother his characters (The Circle, 2013). This short novel showcases the virtues of the former, though there's a whiff of pedagogy in the prose. Two men, Four and Nine, have been assigned to pave a road in an unnamed country recovering from civil war. Four is an experienced, by-the-book type, concerned only with meeting his deadline before a celebratory parade. Nine is a reckless newbie, neglecting cautions against eating local food, swimming in a local river, and carousing. Eggers doesn't play this for comedy, Odd Couple–style, not even a little; we’re mostly in Four’s increasingly infuriated mind, and we know that the country is unstable enough that Nine’s antics court serious consequences. But when it does, Eggers ably weaves in a host of ethical questions over one man’s responsibility to the other, what makes help transactional versus simply kind, and whether the road itself will truly “bring safety and progress to the provinces at seventy miles an hour.” The closing paragraphs of this short novel take an abrupt turn into Dour Lecturer territory, but the shift is earned; Eggers is determined to counter the notion that social and economic improvement work hand in hand, and Four and Nine ultimately resonate as characters as much as archetypes.
An unassuming but deceptively complex morality play, as Eggers distills his ongoing concerns into ever tighter prose.Pub Date: March 19, 2019
ISBN: 978-0-525-65530-5
Page Count: 192
Publisher: Knopf
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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