Some readers will find cause for disagreement, but these fun-to-read essays delight, intrigue, and, most of all, educate.
Idiosyncratic assessments of contemporary women painters, sculptors, and installation and performance artists by an enfant terrible of art criticism.
Hickey (Pirates and Farmers: Essays on Taste, 2013, etc.), now 74, has been a thorn in the side of art criticism for years. In “A Ladies’ Man,” the introduction to this admirable collection, he admits loving women, his most favorite people. The essays have no agenda or art politics and little feminism: “There is a lot of euphony, death, vogue, fanciful narrative, and fugitive nuance.” The author often talks about the art by talking about something else, “lest writing shatter the art like a fragile leaf in clumsy hands.” All of the artists are alive and working except Sarah Charlesworth and Joan Mitchell, one of Hickey’s favorites. Her abstracts, like “classical epigrams…intertwine the light and dark, the petulance and grandeur.” Rowdy and fearless, she “got into the same car everyone else did,” but she “drove it in the opposite direction, back toward the hard, Godless specifics of living.” Hickey’s writing is clever, straightforward, and honest. Literary quotes abound. He draws on Gilles Deleuze’s concept of “plasticity” to describe the “bounded experimentation” of Bridget Riley’s paintings, which destabilize the “entire zone between the beholder and the work.” Readers will no doubt discover artists they aren’t familiar with, such as Fiona Banner and her 2010 installation piece Harrier, in which the British plane hangs from the ceiling like a captured bird. Lynda Benglis’ vertical wax landscapes seemingly ooze out of a wall, and Michelle Fierro’s set pieces, “mandarin grunge,” create “Zen gardens out of painting’s refuse.” Vanessa Beecroft’s performance pieces, like vb45, deploy the “rhetoric of painting in the space of sculpture,” positioning women, often nude, in various poses for hours at a time. Hickey has piquant, insightful things to say about all of these artists.
Some readers will find cause for disagreement, but these fun-to-read essays delight, intrigue, and, most of all, educate.Pub Date: Jan. 28, 2016
ISBN: 978-0-226-33315-1
Page Count: 192
Publisher: Univ. of Chicago
Review Posted Online: Nov. 18, 2015
Kirkus Reviews Issue: Dec. 1, 2015
BOOK REVIEW
IN THE NEWS
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
An intriguing approach to identifying and relating to one’s emotions.
An analysis of our emotions and the skills required to understand them.
We all have emotions, but how many of us have the vocabulary to accurately describe our experiences or to understand how our emotions affect the way we act? In this guide to help readers with their emotions, Brackett, the founding director of Yale University’s Center for Emotional Intelligence, presents a five-step method he calls R.U.L.E.R.: We need to recognize our emotions, understand what has caused them, be able to label them with precise terms and descriptions, know how to safely and effectively express them, and be able to regulate them in productive ways. The author walks readers through each step and provides an intriguing tool to use to help identify a specific emotion. Brackett introduces a four-square grid called a Mood Meter, which allows one to define where an emotion falls based on pleasantness and energy. He also uses four colors for each quadrant: yellow for high pleasantness and high energy, red for low pleasantness and high energy, green for high pleasantness and low energy, and blue for low pleasantness and low energy. The idea is to identify where an emotion lies in this grid in order to put the R.U.L.E.R. method to good use. The author’s research is wide-ranging, and his interweaving of his personal story with the data helps make the book less academic and more accessible to general readers. It’s particularly useful for parents and teachers who want to help children learn to handle difficult emotions so that they can thrive rather than be overwhelmed by them. The author’s system will also find use in the workplace. “Emotions are the most powerful force inside the workplace—as they are in every human endeavor,” writes Brackett. “They influence everything from leadership effectiveness to building and maintaining complex relationships, from innovation to customer relations.”
An intriguing approach to identifying and relating to one’s emotions.Pub Date: Sept. 3, 2019
ISBN: 978-1-250-21284-9
Page Count: 320
Publisher: Celadon Books
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
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