by Dave J. Andrae ‧ RELEASE DATE: June 3, 2024
A thoughtful but slow-moving novel lumbered with leaden prose.
In Andrae’s novel, an aging member of Generation X looks to revive his adolescent punk rock band while an old friend is hunted by a vengeful murderer.
At 46 years old, Remy “Rem” Bruxvoort is more than a bit lost—his relationship with his erstwhile fiance, Dita, has devolved into mutual contempt, but he continues to live with her until they can sell the bungalow they bought together. Additionally, he has no real professional life—a “cinema hound” who has worked as a movie projectionist, Rem sporadically works on a novel. He obsessively waxes nostalgic about the punk rock band (The Bubbling Samovars) he joined in high school (he was the guitarist) and yearns to find the master tapes for the LP they never released, hoping to now issue it. A lonesome man, Rem misses the band’s rapport and the “relationships with people who fit like a glove and intuitively enriched one another,” a blandly earnest description that typifies the author’s awkward prose style. By a strange twist of fate, Rem bumps into Gene Pawlus, the band’s bass player, and rekindles their friendship, becoming romantically involved with Gene’s sister, Julie, an aspiring poet. As a consequence, Rem tracks down Dusty Lewis, the band’s drummer, who is in possession of the LP’s master tapes and promises to prepare them for release in exchange for Rem acting as a middleman for the conveyance of some very shady packages. Meanwhile, Gene is stalked by someone (for most of the book, he is simply referred to as “the man”), an unsuccessful loner who murders his own stepmother and her boyfriend. He holds a grudge against Gene, now a “website revamper” who he believes cheated his now deceased brother, Jeff. (“He was hell bent on watching Gene die.”)
The author intelligently distills the uniqueness of Generation X, the group that was given an “analog upbringing” only to take up residence in a digital world. Both Rem and Gene are painfully adrift—despite a career and a forthcoming marriage, Gene is stymied by an ennui he seems unable to fully understand, let alone shake. Much of the book is devoted to the casual philosophical musings of its dramatic personae, though little of this material registers as either original or particularly provocative. There’s nothing new in these reflections on the banality of bourgeois work life, the “unbecoming trappings of the white-collar world.” In fact, much of the novel, despite the gathering menace of “the man” and his malevolence, is quietly dull, and the violent climax is as melodramatically formulaic as it is implausible. Moreover, the final lines of the novel, which are wearisomely cliched and sentimental, seemed phoned in. There is much to admire in Andrae’s effort—he paints an astute portrait of a generation brimming with competence and optimism but endowed with an idealism so fragile it easily transforms into a mediocre conformism. (Rem and “the man” are both extreme expressions of an attempt to resist that current.) However, the author is not equal here to the literary task of bringing these ideas to full fruition, and as a result the story feels stale.
A thoughtful but slow-moving novel lumbered with leaden prose.Pub Date: June 3, 2024
ISBN: 9798893721560
Page Count: 236
Publisher: Kaji-Pup Press
Review Posted Online: June 7, 2024
Review Program: Kirkus Indie
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BOOK REVIEW
by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
by Dan Brown ‧ RELEASE DATE: Sept. 9, 2025
A standout in the series.
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New York Times Bestseller
The sixth adventure of Harvard symbology professor Robert Langdon explores the mysteries of human consciousness, the demonic projects of the CIA, and the city of Prague.
“Ladies and gentlemen...we are about to experience a sea change in our understanding of how the brain works, the nature of consciousness, and in fact…the very nature of reality itself.” But first—Langdon’s in love! Brown’s devoted readers first met brilliant noetic scientist Katherine Solomon in The Lost Symbol (2009); she’s back as a serious girlfriend, engaging the committed bachelor in a way not seen before. The book opens with the pair in a luxurious suite at the Four Seasons in Prague. It’s the night after Katherine has delivered the lecture quoted above, setting the theme for the novel, which features a plethora of real-life cases and anomalies that seem to support the notion that human consciousness is not localized inside the human skull. Brown’s talent for assembling research is also evident in this novel’s alter ego as a guidebook to Prague, whose history and attractions are described in great and glowing detail. Whether you appreciate or skim past the innumerable info dumps on these and other topics (Jewish folklore fans—the Golem is in the house!), it goes without saying that concision is not a goal in the Dan Brown editing process. Speaking of editing, the nearly 700-page book is dedicated to Brown’s editor, who seems to appear as a character—to put it in the italicized form used for Brownian insight, Jason Kaufman must be Jonas Faukman! A major subplot involves the theft of Katherine’s manuscript from the secure servers of Penguin Random House; the delightful Faukman continues to spout witty wisecracks even when blindfolded and hogtied. There’s no shortage of action, derring-do, explosions, high-tech torture machines, attempted and successful murders, and opportunities for split-second, last-minute escapes; good thing Langdon, this aging symbology wonk, never misses swimming his morning laps. Readers who are not already dyed-in-the-wool Langdonites may find themselves echoing the prof’s own conclusion regarding the credibility of all this paranormal hoo-ha: At some point, skepticism itself becomes irrational.
A standout in the series.Pub Date: Sept. 9, 2025
ISBN: 9780385546898
Page Count: 688
Publisher: Doubleday
Review Posted Online: Sept. 9, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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SEEN & HEARD
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