by Dave J. Andrae ‧ RELEASE DATE: June 3, 2024
A thoughtful but slow-moving novel lumbered with leaden prose.
In Andrae’s novel, an aging member of Generation X looks to revive his adolescent punk rock band while an old friend is hunted by a vengeful murderer.
At 46 years old, Remy “Rem” Bruxvoort is more than a bit lost—his relationship with his erstwhile fiance, Dita, has devolved into mutual contempt, but he continues to live with her until they can sell the bungalow they bought together. Additionally, he has no real professional life—a “cinema hound” who has worked as a movie projectionist, Rem sporadically works on a novel. He obsessively waxes nostalgic about the punk rock band (The Bubbling Samovars) he joined in high school (he was the guitarist) and yearns to find the master tapes for the LP they never released, hoping to now issue it. A lonesome man, Rem misses the band’s rapport and the “relationships with people who fit like a glove and intuitively enriched one another,” a blandly earnest description that typifies the author’s awkward prose style. By a strange twist of fate, Rem bumps into Gene Pawlus, the band’s bass player, and rekindles their friendship, becoming romantically involved with Gene’s sister, Julie, an aspiring poet. As a consequence, Rem tracks down Dusty Lewis, the band’s drummer, who is in possession of the LP’s master tapes and promises to prepare them for release in exchange for Rem acting as a middleman for the conveyance of some very shady packages. Meanwhile, Gene is stalked by someone (for most of the book, he is simply referred to as “the man”), an unsuccessful loner who murders his own stepmother and her boyfriend. He holds a grudge against Gene, now a “website revamper” who he believes cheated his now deceased brother, Jeff. (“He was hell bent on watching Gene die.”)
The author intelligently distills the uniqueness of Generation X, the group that was given an “analog upbringing” only to take up residence in a digital world. Both Rem and Gene are painfully adrift—despite a career and a forthcoming marriage, Gene is stymied by an ennui he seems unable to fully understand, let alone shake. Much of the book is devoted to the casual philosophical musings of its dramatic personae, though little of this material registers as either original or particularly provocative. There’s nothing new in these reflections on the banality of bourgeois work life, the “unbecoming trappings of the white-collar world.” In fact, much of the novel, despite the gathering menace of “the man” and his malevolence, is quietly dull, and the violent climax is as melodramatically formulaic as it is implausible. Moreover, the final lines of the novel, which are wearisomely cliched and sentimental, seemed phoned in. There is much to admire in Andrae’s effort—he paints an astute portrait of a generation brimming with competence and optimism but endowed with an idealism so fragile it easily transforms into a mediocre conformism. (Rem and “the man” are both extreme expressions of an attempt to resist that current.) However, the author is not equal here to the literary task of bringing these ideas to full fruition, and as a result the story feels stale.
A thoughtful but slow-moving novel lumbered with leaden prose.Pub Date: June 3, 2024
ISBN: 9798893721560
Page Count: 236
Publisher: Kaji-Pup Press
Review Posted Online: June 7, 2024
Review Program: Kirkus Indie
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Freida McFadden ‧ RELEASE DATE: May 26, 2026
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
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