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REM'S CHANCE

A thoughtful but slow-moving novel lumbered with leaden prose.

In Andrae’s novel, an aging member of Generation X looks to revive his adolescent punk rock band while an old friend is hunted by a vengeful murderer.

At 46 years old, Remy “Rem” Bruxvoort is more than a bit lost—his relationship with his erstwhile fiance, Dita, has devolved into mutual contempt, but he continues to live with her until they can sell the bungalow they bought together. Additionally, he has no real professional life—a “cinema hound” who has worked as a movie projectionist, Rem sporadically works on a novel. He obsessively waxes nostalgic about the punk rock band (The Bubbling Samovars) he joined in high school (he was the guitarist) and yearns to find the master tapes for the LP they never released, hoping to now issue it. A lonesome man, Rem misses the band’s rapport and the “relationships with people who fit like a glove and intuitively enriched one another,” a blandly earnest description that typifies the author’s awkward prose style. By a strange twist of fate, Rem bumps into Gene Pawlus, the band’s bass player, and rekindles their friendship, becoming romantically involved with Gene’s sister, Julie, an aspiring poet. As a consequence, Rem tracks down Dusty Lewis, the band’s drummer, who is in possession of the LP’s master tapes and promises to prepare them for release in exchange for Rem acting as a middleman for the conveyance of some very shady packages. Meanwhile, Gene is stalked by someone (for most of the book, he is simply referred to as “the man”), an unsuccessful loner who murders his own stepmother and her boyfriend. He holds a grudge against Gene, now a “website revamper” who he believes cheated his now deceased brother, Jeff. (“He was hell bent on watching Gene die.”)

The author intelligently distills the uniqueness of Generation X, the group that was given an “analog upbringing” only to take up residence in a digital world. Both Rem and Gene are painfully adrift—despite a career and a forthcoming marriage, Gene is stymied by an ennui he seems unable to fully understand, let alone shake. Much of the book is devoted to the casual philosophical musings of its dramatic personae, though little of this material registers as either original or particularly provocative. There’s nothing new in these reflections on the banality of bourgeois work life, the “unbecoming trappings of the white-collar world.” In fact, much of the novel, despite the gathering menace of “the man” and his malevolence, is quietly dull, and the violent climax is as melodramatically formulaic as it is implausible. Moreover, the final lines of the novel, which are wearisomely cliched and sentimental, seemed phoned in. There is much to admire in Andrae’s effort—he paints an astute portrait of a generation brimming with competence and optimism but endowed with an idealism so fragile it easily transforms into a mediocre conformism. (Rem and “the man” are both extreme expressions of an attempt to resist that current.) However, the author is not equal here to the literary task of bringing these ideas to full fruition, and as a result the story feels stale.

A thoughtful but slow-moving novel lumbered with leaden prose.

Pub Date: June 3, 2024

ISBN: 9798893721560

Page Count: 236

Publisher: Kaji-Pup Press

Review Posted Online: June 7, 2024

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DEAD BEAT

From the Ninth House series , Vol. 3

Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.

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  • New York Times Bestseller

A dark fantasy set on the Yale campus ends with a bang.

Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.

Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.

Pub Date: Sept. 15, 2026

ISBN: 9781250884312

Page Count: 496

Publisher: Flatiron Books

Review Posted Online: Sept. 15, 2026

Kirkus Reviews Issue: Nov. 1, 2026

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HOLLOW BONES

The queen of social activist novels has done it again. Impressive, important, and fun to read.

The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.

“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in Septem­ber, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fif­teen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.

The queen of social activist novels has done it again. Impressive, important, and fun to read.

Pub Date: Sept. 15, 2026

ISBN: 9780593726259

Page Count: 464

Publisher: Ballantine

Review Posted Online: June 15, 2026

Kirkus Reviews Issue: July 15, 2026

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