by Dave J Ungrady ‧ RELEASE DATE: Dec. 8, 2011
A cautionary sports tale that shows how one life unexpectedly ended can affect so many others.
Ungrady (Tales from the Maryland Terrapins, 2014) examines the lasting effects of an American tragedy, a talent cut down too soon.
Len Bias, the No. 2 overall draft choice of the Boston Celtics in 1986, died of a cocaine overdose two days after he was anointed to help sustain the NBA dynasty. His death, followed by that of Celtics star Reggie Lewis from cardiac arrest in 1993, set the team back for more than two decades. Bias’ death in particular has always been surrounded by the question: Why? A quarter-century later, Ungrady—who, like Bias, attended the University of Maryland—set out to learn the answer and to find the rippling ramifications of the star basketball player’s death. As the sportswriter explains, “more than any athlete who has died in the last half-century, Bias still evokes a searing and confusing mix of regret and remorse, anger and sympathy, bewilderment and bitterness, and lingering sadness over the success the young athlete might have known had he not celebrated too hard, too soon.” Ungrady argues that Bias’ death, at just 22, has had unparalleled effects not just on his family and friends, or on the son he never knew, but also on the careers of Maryland administrators, coaches and athletes. There was an outcry for tougher drug laws, which led to harsh, mandatory sentencing for cocaine dealers and users; on the flip side, cocaine use has since dropped among high school students. Ungrady faced one big obstacle when researching this book: Two and a half decades hasn’t been enough time for the wound to heal. “Many of the people most affected prefer to remain silent on the topic, or talk guardedly about it,” Ungrady says. Still, his dogged research, including his conducting new interviews and mining previously produced materials, has yielded a well-rounded portrait of Bias and those who are trying to make sense of his death.
A cautionary sports tale that shows how one life unexpectedly ended can affect so many others.Pub Date: Dec. 8, 2011
ISBN: 978-1467972369
Page Count: 188
Publisher: CreateSpace
Review Posted Online: Dec. 17, 2014
Review Program: Kirkus Indie
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by Bonnie Tsui ‧ RELEASE DATE: April 14, 2020
An absorbing, wide-ranging story of humans’ relationship with the water.
A study of swimming as sport, survival method, basis for community, and route to physical and mental well-being.
For Bay Area writer Tsui (American Chinatown: A People's History of Five Neighborhoods, 2009), swimming is in her blood. As she recounts, her parents met in a Hong Kong swimming pool, and she often visited the beach as a child and competed on a swim team in high school. Midway through the engaging narrative, the author explains how she rejoined the team at age 40, just as her 6-year-old was signing up for the first time. Chronicling her interviews with scientists and swimmers alike, Tsui notes the many health benefits of swimming, some of which are mental. Swimmers often achieve the “flow” state and get their best ideas while in the water. Her travels took her from the California coast, where she dove for abalone and swam from Alcatraz back to San Francisco, to Tokyo, where she heard about the “samurai swimming” martial arts tradition. In Iceland, she met Guðlaugur Friðþórsson, a local celebrity who, in 1984, survived six hours in a winter sea after his fishing vessel capsized, earning him the nickname “the human seal.” Although humans are generally adapted to life on land, the author discovered that some have extra advantages in the water. The Bajau people of Indonesia, for instance, can do 10-minute free dives while hunting because their spleens are 50% larger than average. For most, though, it’s simply a matter of practice. Tsui discussed swimming with Dara Torres, who became the oldest Olympic swimmer at age 41, and swam with Kim Chambers, one of the few people to complete the daunting Oceans Seven marathon swim challenge. Drawing on personal experience, history, biology, and social science, the author conveys the appeal of “an unflinching giving-over to an element” and makes a convincing case for broader access to swimming education (372,000 people still drown annually).
An absorbing, wide-ranging story of humans’ relationship with the water.Pub Date: April 14, 2020
ISBN: 978-1-61620-786-1
Page Count: 288
Publisher: Algonquin
Review Posted Online: Jan. 4, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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by Leanne Shapton ‧ RELEASE DATE: July 5, 2012
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.
A disjointed debut memoir about how competitive swimming shaped the personal and artistic sensibilities of a respected illustrator.
Through a series of vignettes, paintings and photographs that often have no sequential relationship to each other, Shapton (The Native Trees of Canada, 2010, etc.) depicts her intense relationship to all aspects of swimming: pools, water, races and even bathing suits. The author trained competitively throughout her adolescence, yet however much she loved racing, “the idea of fastest, of number one, of the Olympics, didn’t motivate me.” In 1988 and again in 1992, she qualified for the Olympic trials but never went further. Soon afterward, Shapton gave up competition, but she never quite ended her relationship to swimming. Almost 20 years later, she writes, “I dream about swimming at least three nights a week.” Her recollections are equally saturated with stories that somehow involve the act of swimming. When she speaks of her family, it is less in terms of who they are as individuals and more in context of how they were involved in her life as a competitive swimmer. When she describes her adult life—which she often reveals in disconnected fragments—it is in ways that sometimes seem totally random. If she remembers the day before her wedding, for example, it is because she couldn't find a bathing suit to wear in her hotel pool. Her watery obsession also defines her view of her chosen profession, art. At one point, Shapton recalls a documentary about Olympian Michael Phelps and draws the parallel that art, like great athleticism, is as “serene in aspect” as it is “incomprehensible.”
While the author may attempt to mirror this ideal, the result is less than satisfying and more than a little irritating.Pub Date: July 5, 2012
ISBN: 978-0-399-15817-9
Page Count: 288
Publisher: Blue Rider Press
Review Posted Online: May 6, 2012
Kirkus Reviews Issue: May 15, 2012
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