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WHO WANTS A TORTOISE?

A nameless, pigtailed, sassy child in a pink gossamer skirt wants only one birthday present: a puppy; in the box, however, is not a puppy but a tortoise. “WHO WANTS A TORTOISE?!” The protagonist sure doesn’t, but Daddy is allergic to dogs. What follows is a list of don’ts: tortoises don’t fetch, don’t roll over, don’t lick your face, don’t beg for baloney, and don’t get excited when you come through the door. An abrupt change in attitude occurs once the young tortoise-owner gives her shelled pet a makeover: “I do his nails with Sparkling Raspberry Delight.” When Grammy and Grandpa bring her a tortoise book as a present, she grows even more receptive: an illustration shows the tortoise atop a pink skateboard, nails still pink, and a leash duct-taped to his shell. She brings her tortoise to sharing day at school; her tortoise races and beats snails by a mile. But then he runs away. Signs go up in the neighborhood, and everyone joins the quest to find the coldblooded friend. Campbell’s familiar style is present in soft watercolor and colored pencil. Young readers will notice details such as emotive expressions on humans and pets alike, as well as plenty of dog paraphernalia. The protagonist appears to be biracial, with a white mom and East Asian dad. The endpapers are a collection of sketches and fun facts. A sweet read-aloud for first-time tortoise owners. (Picture book. 5-8)

Pub Date: July 19, 2016

ISBN: 978-0-385-75417-0

Page Count: 40

Publisher: Knopf

Review Posted Online: April 12, 2016

Kirkus Reviews Issue: May 1, 2016

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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CLAYMATES

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 28, 2017

Kirkus Reviews Issue: April 15, 2017

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