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UNICORN BOY

From the Unicorn Boy series , Vol. 1

At once a silly, sweet escapade and a dramatic tale of self-discovery in one’s own powers.

A boy inexplicably sprouts a unicorn horn and performs fantastic feats for the sake of friendship.

Brian Reyes initially tries to ignore the horn and the taunts of "Unicorn Boy." But he ponders the protrusion’s potential when a muffin starts talking to him and he realizes he can soar through the air; he also instantly grows a pink-purple mane. His abilities are brought to bear when his best friend, Avery Henson, is sucked into a backyard vortex. Avery has always been shy Brian’s protector, but now Brian must summon his courage and rescue his friend. He bravely follows, his self-confidence growing as he descends ever deeper into an underworld occupied by mythical characters and talking cats. Will Unicorn Boy be able to face off against the cruel, controlling Skull-King? This promising series starter benefits from Roman’s cartooning talents. His streamlined, bold, and bright artwork immerses readers in Brian’s world. The story zigzags between characters and mini-challenges, providing thrills even as Brian’s quest and Avery’s fate seem dire. Gentle throughlines emphasize the value of devoted friendship and the joy of understanding oneself through storytelling; Unicorn Boy’s legend is literally written in a magical book he carries as he delves deeper into his own story. Brian is olive-skinned and cued Latine; Avery presents white and is genderfluid.

At once a silly, sweet escapade and a dramatic tale of self-discovery in one’s own powers. (Graphic fantasy. 8-13)

Pub Date: March 12, 2024

ISBN: 9781250830265

Page Count: 208

Publisher: First Second

Review Posted Online: Dec. 16, 2023

Kirkus Reviews Issue: Jan. 15, 2024

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THE SCHOOL FOR GOOD AND EVIL

From the School for Good and Evil series , Vol. 1

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.

Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.

Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and  her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).

Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)

Pub Date: May 14, 2013

ISBN: 978-0-06-210489-2

Page Count: 496

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: April 15, 2013

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THE CHRISTMAS PIG

Plays to Rowling’s fan base; equally suited for gifting and reading aloud or alone.

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A 7-year-old descends into the Land of the Lost in search of his beloved comfort object.

Jack has loved Dur Pig long enough to wear the beanbag toy into tattered shapelessness—which is why, when his angry older stepsister chucks it out the car window on Christmas Eve, he not only throws a titanic tantrum and viciously rejects the titular replacement pig, but resolves to sneak out to find DP. To his amazement, the Christmas Pig offers to guide him to the place where all lost Things go. Whiffs of childhood classics, assembled with admirable professionalism into a jolly adventure story that plays all the right chords, hang about this tale of loss and love. Along with family drama, Rowling stirs in fantasy, allegory, and generous measures of social and political commentary. Pursued by the Land’s cruel and monstrous Loser, Jack and the Christmas Pig pass through territories from the Wastes of the Unlamented, where booger-throwing Bad Habits roam, to the luxurious City of the Missed for encounters with Hope, Happiness, and Power (a choleric king who rejects a vote that doesn’t go his way). A joyful reunion on the Island of the Beloved turns poignant, but Christmas Eve being “a night for miracles and lost causes,” perhaps there’s still a chance (with a little help from Santa) for everything to come right? In both the narrative and Field’s accomplished, soft-focus illustrations, the cast presents White.

Plays to Rowling’s fan base; equally suited for gifting and reading aloud or alone. (Fantasy. 8-12)

Pub Date: Oct. 12, 2021

ISBN: 978-1-338-79023-8

Page Count: 288

Publisher: Scholastic

Review Posted Online: Oct. 20, 2021

Kirkus Reviews Issue: Nov. 15, 2021

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