by Dave Tabler ‧ RELEASE DATE: July 4, 2025
A festive, well-researched, and diverse look at holiday history in the Blue Hen State.
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Photojournalist Tabler explores the varied history of Christmas celebrations in Delaware in this nonfiction book.
“Delaware’s Christmas traditions echo the broader American story,” writes the author, who highlights the ways in which First State residents have been “remarkably flexible” in blending “customs that took root in the colonies” with later demographic, social, and cultural changes. The book’s first section, “Cultural Traditions,” explores how various peoples have contributed to the history of Delaware’s Yuletide celebrations. The Scandinavians, Tabler notes, first settled the New Sweden colony in the 17th century and devoted particular attention to the celebration of St. Lucia. Although many groups covered in this section are colonial settlers or 19th-century European immigrants—from the Dutch who celebrated St. Nicholas to the Italians who introduced the Feast of the Seven Fishes—the book also notes the great influence of non-Europeans. For example, he tells of how enslaved African people lived in Delaware starting in the 1600s, and he notes how free Black communities during the antebellum era observed Christmas in independent churches “free from white control.” Later, some Delaware residents observed Kwanzaa, which also emphasized “community building and cultural preservation.” The state’s Latino population grew in the late 20th century, and they added such celebrations as the feast day of Our Lady of Guadalupe. The book’s second and third parts offer a chronological history of various Christmas customs, from the popularity of sleigh bells and poinsettias in the 19th century to the impact of consumer culture and gift-giving in the 20th. The final section surveys post–World War II traditions, including the ’60s fad of making wreaths out of IBM punch cards, used by DuPont and other local employers, and ubiquitous “Christmas in July” sales among stores in coastal towns.
The book’s nostalgic style may not appeal to more academically minded readers, but its upbeat, inclusive approach reflects the holiday season at its joyous best. A major highlight of the book is its use of full-color, festive illustrations and images of photos, paintings, magazine covers, and other holiday ephemera, many of which are in the public domain. Tabler has authored three other works on Delaware history, and he clearly has a firm understanding of the state’s unique place in American culture; he also fruitfully draws on primary source material from more than two dozen of the state’s archives, museums, universities, and historical societies. The work’s only drawback is its oversized back matter, “Chapter Continuations,” which offers additional exposition on the topics in each chapter. This information is often diverting, but the section comprises more than a third of the book’s total length and ultimately makes for a disjointed read. Readers who are looking for a history of Scandinavian Christmas observance, for instance, will not only need to read the book’s opening chapter, but also multiple pages of additional information in the final section that’s longer than the initial chapter itself. Still, despite this editorial misstep, the book is a beautifully crafted and colorful work.
A festive, well-researched, and diverse look at holiday history in the Blue Hen State.Pub Date: July 4, 2025
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: May 22, 2025
Review Program: Kirkus Indie
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Kirkus Reviews'
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New York Times Bestseller
IndieBound Bestseller
National Book Award Finalist
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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by Steve Martin illustrated by Harry Bliss ‧ RELEASE DATE: Nov. 17, 2020
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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