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ODDREY AND THE NEW KID

For Oddrey to remain odd, she is going to have to hear the beat of a far different drummer.

In Whamond’s Oddrey’s return, she must contend with a little touch of competition for the limelight.

Oddrey is not so much a fruitcake as an original. She takes the path less traveled. Sometimes it feels a bit like attention-seeking behavior, though, to her credit, she seeks attention for all her friends and classmates, too. In this story, she comes up against not exactly a nemesis, but a serious rival: Maybelline. Maybelline has lots of wild tales—she and her father traveled the four corners to find ancient artifacts in dangerous situations—to wow her classmates. She has so many wild tales that Oddrey gets suspicious, and she isn’t happy with Maybelline’s bossy ways on the playground. Then comes a school visit to the zoo, and Oddrey is able to reassert her not only strange, but now heroic character. Although Whamond’s artwork is a pleasing welter of colorful dabs and active lines, his story is achingly black and white. Readers know from the outset that poor Maybelline’s comeuppance is a done deal—she is too snooty by half—so there will be no surprises here. And Oddrey is too self-conscious about being the maverick, which doesn’t make her much of one; she is not a bohemian, she is a prima donna.

For Oddrey to remain odd, she is going to have to hear the beat of a far different drummer. (Picture book. 4-7)

Pub Date: Sept. 15, 2013

ISBN: 978-1-926973-90-6

Page Count: 32

Publisher: Owlkids Books

Review Posted Online: June 15, 2013

Kirkus Reviews Issue: July 1, 2013

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THE MOST MAGNIFICENT THING

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...

Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.

First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.

Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)

Pub Date: April 1, 2014

ISBN: 978-1-55453-704-4

Page Count: 32

Publisher: Kids Can

Review Posted Online: Feb. 25, 2014

Kirkus Reviews Issue: March 15, 2014

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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