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MEN ON HORSEBACK

THE POWER OF CHARISMA IN THE AGE OF REVOLUTION

A disturbing theme explored by a capable historian.

An examination of hero worship via thoughtful biographies of George Washington and four contemporary leaders who were all idolized at the time.

No artist portrayed Elizabeth I or Louis XIV mingling with adoring crowds, but Princeton history professor Bell points out that their nonroyal successors enjoyed a far more personal relationship with the people. They were, in the modern sense, celebrities. Ordinary citizens, writes the author, “could feel a powerful emotional connection to them—a connection heightened by their sense of the figure’s sublime, transcendent, extraordinary qualities.” The first—and least-known—of Bell’s men on horseback is Pasquale Paoli (1725-1807), a Corsican who fought for his island’s independence and became celebrated as the first apostle of liberty, aided by James Boswell’s worshipful bestseller, written long before his biography of Samuel Johnson. George Washington became America’s icon upon his appointment as commander in chief, and “even 240 years later, it is easy to take this initial surge of idolatry for granted.” Bell agrees with historians that his sense of transcendence was mostly a facade but admits that he alone of the five achieved long-lasting success. Napoleon referred to himself as the Washington of France, but he was merely a brilliant general; like most talented generals who don’t die prematurely, he self-destructed. Simón Bolívar (1783-1830) was the Washington of South America because he fought for his people’s freedom. Sadly, his elevation occurred after his death because the independent nations hated his attempts to rule, and he ended life reviled and alone. In Haiti, Toussaint Louverture (1743-1803) led a bloody slave rebellion that won admiration in revolutionary France, which subsequently outlawed slavery in its colonies before Toussaint’s death under the rule of Napoleon, who tried, unsuccessfully, to reinstitute it. Bell concludes that the rise of autocrats today indicates that charismatic leaders, especially those who maintain that achieving national glory trumps boring institutions like laws, are finding a receptive audience.

A disturbing theme explored by a capable historian.

Pub Date: July 28, 2020

ISBN: 978-0-374-20792-2

Page Count: 352

Publisher: Farrar, Straus and Giroux

Review Posted Online: Feb. 17, 2020

Kirkus Reviews Issue: March 15, 2020

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BLACK BOY

A RECORD OF CHILDHOOD AND YOUTH

This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.

It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.

Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.

Pub Date: Feb. 28, 1945

ISBN: 0061130249

Page Count: 450

Publisher: N/A

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Feb. 1, 1945

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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