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THE ELECTRIC KINGDOM

Perplexing yet satisfying: If time moves in a circle, is a linear narrative possible?

In a world where humanity has almost been wiped out, a teenage girl and her dog set out on a mysterious and potentially foolhardy journey.

Nico and her parents survived the flu spread by ravenous Flu-flies by retreating to an isolated farmhouse, where they lived on supplies brought by the Deliverer. Then Nico’s mother fell ill and died. When it seems that her father will succumb as well, he tells her that a beloved story from her childhood is actually true and that she must travel to see for herself a certain geological anomaly. Nico sets out into woods she has only ever viewed from her window, quickly learning of the darkness that exists outside—as well as the beauty. As her journey continues, she meets others, including Kit, a serious 12-year-old. They all sense that they have been here before—that perhaps time runs in a loop. In this near-future setting, social constructs of our present day influence the story in a way that is well executed and resonant. Strange and off-kilter, this is not a simple post-apocalyptic novel but instead a quiet, philosophical exploration of humanity with a touch of science fiction around the edges. Defying strict genre categories, Arnold leaves readers wondering and unbalanced until the final page. Nico and Kit are White; other characters are Black and Jordanian.

Perplexing yet satisfying: If time moves in a circle, is a linear narrative possible? (Post-apocalyptic. 13-adult)

Pub Date: Feb. 9, 2021

ISBN: 978-0-593-20222-7

Page Count: 432

Publisher: Viking

Review Posted Online: Nov. 23, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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