Multicultural Harlem lives again in this daringly diverse tale of growing up against the odds and the imaginative, healing possibilities that we can create through the choices we make.
Moore turns his back on the newly whitewashed Harlem, taking readers to the St. Nick projects to meet brown-skinned West Indian (Trini, to be exact) Wallace “Lolly” Rachpaul, full of contradiction and agency. Moore surrounds Lolly with a grand ensemble of characters that echo the ample cross sections and cultural milieus of the big city. There’s Lolly’s mother, who has embraced her queer sexuality with toy-store security guard Yvonne, who becomes a secondary caregiver after the tragic loss of Lolly’s older brother, Jermaine to the drug-hustling crew underworld of Harlem. Lolly hopes that he and his dark-skinned Dominican best friend, Vega, can resist its allure. Mr. Ali is the veteran social worker with marginal resources and a big heart, refashioning his little basement space to unravel the traumas and difficult choices that could lead astray the black and brown youth he serves. And don’t forget Big Rose (who doesn’t like to be called Big). Then there are Lolly’s Legos, which, block by block, help him imagine a healthy future. These characters are vibrantly alive, reconstituting the realness that is needed to bring diverse, complicated stories to the forefront of our shelves.
A debut that serves as a powerful instructive for writing from and reading the intersections—125th Street–size intersections for all readers to enjoy. (Fiction. 10-14)