As funny and sad as a John Cassavettes movie, but without all that midlife-crisis yammering.
Debut novelist Benioff pitches his tent next to a New York drug dealer in the grueling final hours before he goes off to begin a prison term.
There was nothing unusual about the bust. The Feds knocked polite as you pleased on Monty Brogan’s door, showed their warrant to Monty and his live-in Naturelle Rosario, and within minutes had found enough to put him away for seven years. And when you come right down to it, there’s nothing very unusual about Monty—who started dealing back in his school days at Campbell-Sawyer but still dreams his childhood dream of growing up to be a fireman—or of his last day and night of freedom either. There’ll be the requisite tender moments with Monty’s father and Naturelle; the obligatory scene in which Monty reminds Uncle Blue, his supplier, that he hasn’t rolled over on him yet and doesn’t intend to; Monty’s appeal to his old buddies to take care of the pit bull he rescued and nursed back to health and trust four years ago; and of course the after-dinner drinks with Monty’s nearest and dearest. What makes Benioff’s take on this tale so special is his deep trust in the ordinariness of it all, and the persistence of his supporting cast in thinking, as even your best friends will, that this night is all about them. Monty’s friend Frank Slattery can’t forget the two million he made in nine minutes of bond trading just that morning. Wallflower Jakob Elinsky, an alumnus of Campbell-Sawyer who’s still stuck there as an English teacher, goes into a panic when he sees Mary D’Annunzio, his lippiest student, outside the bar that’s been appointed to kick off Monty’s last round. And both Monty and his father have ideas of their own.
As funny and sad as a John Cassavettes movie, but without all that midlife-crisis yammering.Pub Date: Jan. 1, 2001
ISBN: 0-7867-0772-0
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2000
BOOK REVIEW
BOOK REVIEW
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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