A very tall tale about a very big bird.
Verhines, a veteran truck driver, relates his encounter with a gigantic, mysterious bird.
In July 2018, the author was driving his rig in Pennsylvania near sunset when he saw the enormous bird. In his initial reaction, recorded for the Pennsylvania Game Commission, he stated that it was a larger-than-average bird. He subsequently revised this estimate upward after both watching an episode of MonsterQuest, a TV show, about giant birds and receiving the exact measurements of “his” thunderbird from God in a prophetic vision. His new estimates are staggering: In this book, he claims the creature he saw in Pennsylvania was 50 feet long with a wingspan of 220 feet (twice as long as an adult blue whale), individual feathers as long as 20 feet, and a possible weight of 2,000 pounds, although he suggests it could be as high as 25,000 pounds (twice as heavy as an adult African elephant). “Its wings and body broke through the sky with such a force that I thought I saw it pushing the air,” he writes. “My guess is that it was dive-bombing me at about 150 miles an hour.” Verhines moves from the account of his own sighting to an overview of other “thunderbird” sightings and to a summary of the whole concept of “cryptozoology,” the practice of theorizing about large, undiscovered animals. But he likewise admits that his primary fact-verification process is religious. “When I want to rivet something down in truth,” he writes, “I use Bible verses or Bible ideas to ground my approach.” He writes about large birds like condors and extinct avian dinosaurs like pterosaurs, but since there is no possibility that an animal the size he describes (much less a breeding population of them) could exist, his digressions on history and speculative biology, however entertainingly written, will likely be dismissed by all but the most zealous cryptozoologists.
A very tall tale about a very big bird.Pub Date: Jan. 30, 2021
ISBN: 978-1-97-722436-1
Page Count: 286
Publisher: Outskirts Press
Review Posted Online: May 17, 2021
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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