by David Brock ; Ari Rabin-Havt ‧ RELEASE DATE: Oct. 16, 2013
If Hillary Clinton does indeed run for president, questions concerning Benghazi will continue to be raised, and this book...
Talking points for liberals to refute talking points by conservatives over a controversy that just won't quit.
On Sept. 11, 2012, the U.S. embassy compound in Benghazi, Libya, suffered a terrorist attack that left four Americans dead, including U.S. Ambassador J. Christopher Stevens, and 10 injured. Initial speculation that this was a protest against an anti-Muslim YouTube video was soon corrected to confirm that it was a well-plotted action by terrorists who have yet to be caught. Beyond these facts, so much remains up for grabs, with conservatives claiming that the compound should have been better protected and should have received reinforcements, that President Barack Obama is soft on terrorism and tried to shift blame, and that Secretary of State Hillary Clinton has lied about her role and responsibility in the tragedy. To the contrary, asserts Media Matters for America founder Brock (The Republican Noise Machine: Right-Wing Media and How It Corrupts Democracy, 2004, etc.) in this strong defense of the Democratic response, a conspiracy of conservative lies has kept this controversy alive, primarily through the Fox News talking heads and other “hoaxsters,” including Mitt Romney and senators John McCain, Lindsay Graham and Kelly Ayotte. They have progressed from the scapegoating of Obama to an attempt to derail Clinton's campaign as the front-runner to be nominated as his successor. "The reality is that there are two Benghazis," writes the author, one in which "the most basic facts would get twisted, contorted, even invented out of thin air to create bogus narratives" by "a Republican noise machine."
If Hillary Clinton does indeed run for president, questions concerning Benghazi will continue to be raised, and this book attempts to answer every one of them in her defense.Pub Date: Oct. 16, 2013
ISBN: B00FZ6HWPA
Page Count: 104
Publisher: Media Matters for America
Review Posted Online: Nov. 13, 2013
Kirkus Reviews Issue: Dec. 1, 2013
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by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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IN THE NEWS
by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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