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ZOO STATION

Smooth, scary wartime thriller drenched in period atmosphere, from Downing (The Red Eagles, 1987, etc.).

A British reporter in Berlin attracts offers from all sides while Hitler prepares to gobble up Czechoslovakia.

Freelance correspondent John Russell does not think he believes in much. Once a communist, he now has no illusions about them or about the Russians. What little British patriotism he might have had was shed in the trenches during the Great War. Now in his early 40s, he is divorced from his German wife and dating a smart and cynical actress. Russell’s soccer-mad young son, Paul, to whom he is devoted, is a member, like other kids his age, of the Hitler Youth. The reporter knows that there will be war, but he has counted himself out of it, placed on the sidelines by family relationships. He intends to stay in the country and city to which he has become accustomed, staying out of trouble, seeing Paul as much as possible until his inevitable forced exile. But trouble finds him. First, a friend from the British embassy offers him some extra income, teaching English to a couple of young Jewish girls whose family, the Wiesners, hope to send them to England before the Nazi terror escalates. Then Russell is approached by the Russians, who want him to do a little PR to smooth the way for the upcoming deal between Stalin and Hitler. Russell knows that the assignment must lead quickly to espionage, and he is reluctant to agree. But his admiration for his young students and their desperate family and his disgust for National Socialism and its loathsome believers begin to wear away at his avowed neutrality, and he agrees to act. Filling the British in on every move, the once-neutral reporter is, within weeks, a full fledged spy and, at the same time, the only hope for the Wiesner girls, their firebrand brother and their frantic mother.

Smooth, scary wartime thriller drenched in period atmosphere, from Downing (The Red Eagles, 1987, etc.).

Pub Date: May 1, 2007

ISBN: 978-1-56947-454-9

Page Count: 304

Publisher: Soho

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2007

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NEVER LOOK BACK

A mind-bending mystery, an insightful exploration of parent-child relationships, and a cautionary tale about bitterness and...

A young man seeking catharsis probes old wounds and unleashes fresh pain in this expertly crafted stand-alone from Edgar finalist Gaylin (If I Die Tonight, 2018, etc.).

Quentin Garrison is an accomplished true-crime podcaster, but it’s not until his troubled mother, Kate, fatally overdoses that he tackles the case that destroyed his family. In 1976, teenagers Gabriel LeRoy and April Cooper murdered 12 people in Southern California—Kate’s little sister included—before dying in a fire. Kate’s mother committed suicide, and her father withdrew, neglecting Kate, who in turn neglected Quentin. Quentin intends for Closure to examine the killings’ ripple effects, but after an interview with his estranged grandfather ends in a fight, he resolves to find a different angle. When a source alleges that April is alive and living in New York as Renee Bloom, Quentin is dubious, but efforts to debunk the claim only uncover more supporting evidence, so he flies east to investigate. Renee’s daughter, online film columnist Robin Diamond, is preoccupied with Twitter trolls and marital strife when Quentin calls to inquire about her mom’s connection to April Cooper. Robin initially dismisses Quentin but, upon reflection, realizes she knows nothing of Renee’s past. Before she can ask, a violent home invasion hospitalizes her parents and leaves Robin wondering whom she can trust. Artfully strewn red herrings and a kaleidoscopic narrative heighten tension while sowing seeds of distrust concerning the characters’ honesty and intentions. Letters from April to her future daughter written mid–crime spree punctuate chapters from Quentin's and Robin’s perspectives, humanizing her and Gabriel in contrast with sensationalized accounts from Hollywood and the media.

A mind-bending mystery, an insightful exploration of parent-child relationships, and a cautionary tale about bitterness and blame.

Pub Date: July 2, 2019

ISBN: 978-0-06-284454-5

Page Count: 368

Publisher: Morrow/HarperCollins

Review Posted Online: April 13, 2019

Kirkus Reviews Issue: May 1, 2019

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YOU HAD ME AT WOLF

Like a popcorn action flick: fun but lacking in substance.

Two wolf shifters must catch a criminal in the midst of hazardous winter weather: Action, adventure, and romance kick off a new series by Spear (Falling for the Cougar, 2019, etc.).

Private Investigator Nicole Grayson has an edge that some of her colleagues don’t. She’s a gray wolf shifter, and her heightened sense of smell makes for excellent tracking abilities. When her latest assignment, investigating a fraudulent life insurance claim, leads her to an isolated ski lodge inhabited by a group of shifter brothers, Nicole realizes that this particular mission is different. Blake Wolff has finally found peace and quiet, as he and his brothers have turned their land into a sanctuary for wolf shifters like themselves. When Nicole turns up at the lodge, sniffing around and looking for answers, Blake volunteers to help. The sooner she wraps up her investigation, the sooner Blake can return to maintaining the calm community the Wolff siblings have built. The suspense never fully delivers despite the setup of dangerous situations and the characters’ ability to shift into wolves. Of course, the bad guys get caught and the good guys prevail, but the stakes never seem terribly high. With corny, on-the-nose details such as having Wolff and Grayson as surnames for gray wolf shifters, it's hard to tell if Spear is in on the joke or if some things sounded better in theory than reality. The brightest spot here, as in most of Spears’ books, is her dedication to writing strong heroines with interesting professions, and Nicole fits perfectly into that box. She’s capable, competent, and a force to be reckoned with in a difficult situation. Blake is happy to let her take the lead without any egos getting in the way, which is something all readers will appreciate.

Like a popcorn action flick: fun but lacking in substance.

Pub Date: Feb. 25, 2020

ISBN: 978-1-4926-9775-6

Page Count: 384

Publisher: Sourcebooks Casablanca

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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