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ANIMAL PARTS, A PETER ROMERO MYSTERY

A plodding police procedural with Native American roots that ultimately proves light on suspense.

A police officer tracks a band of Native American cannibals with the help of a wise and mysterious cougar spirit in Knop’s novel.

Soon after Cochiti Pueblo policeman Peter Romero kills a cougar that attacked hikers near Bandelier National Monument, the cat’s spirit (referred to simply as “Cougar”) confronts him over the deaths of his family members at the hands of poachers. Not nearly as surprised by this turn of events as one might expect, Romero launches into an investigation of the poachers—with the cougar spirit by his side—after some local game wardens are found murdered. His investigation soon leads him to the Pratts, a family suffering from a mythological disease known as Windigo psychosis that turns people into cannibalistic monsters: “All four of these boys, they suffer from a disease, an incurable condition, some kind of genetic thing. It has been in the family for generations. I’ve lost two husbands because of it. It’s all consuming. It eats at them, it eats at me, but there’s no stopping it.” Romero attempts to convince FBI special agent (and Cherokee member) Jean Reel of what they’re dealing with, but she prefers to stick to the facts. Meanwhile, Romero’s personal life is falling apart, with his wife eventually leaving him over his obsession with the case. With no alternative in sight, he eventually realizes that he must cut off the windigos at the source: “Romero closed his eyes, inhaled deeply. When the time felt right, he walked through his irises deeper into the past, into oblivion with no time, direction, or matter. A clear and simple purpose energized him. He would find Kimiwan, the mother of windigos, and sever her head.” This determination eventually leads him to a violent spiritual confrontation in which only one of them can survive.

Steeped in Native American folklore, the novel does much to celebrate the culture and stories of its characters. And the idea of chasing mythological creatures through the Southwest should be exciting. But despite some occasional poetic lines (“Strong denial delivers stronger suspicion. After all, windigos are reluctant cannibals”) and a few twists that readers may or may not see coming, most of the prose falls flat and fails to build any real sense of suspense. The use of the word bullshitquickly becomes repetitive, as does the near-constant fixation on Reel’s physical attributes (especially her legs) that ultimately only serves to distract readers and undermine her as a character throughout the novel (not to mention making Romero seem like a creep). Some readers may struggle with the idea that simply being Native American makes a character able to unquestionably believe certain things. For example, when Romero’s wife reacts in disbelief after he suggests that their living room was trashed by a cougar spirit, the only explanation is that Romero’s wife “was not Indian. How could she understand these things?” Meanwhile, “Back in the living room, Romero explained to Reel his run-in with Cougar. She listened. Reel’s Indian spirit allowed her to see these things.” Although the novel does have some good prose and interesting ideas occasionally do crop up, Knop’s black-and-white thinking prevents a deeper exploration into the main characters, resulting in protagonists who are overwhelmingly one-dimensional. The novel’s polarizing conclusion, meanwhile, will likely divide readers.

A plodding police procedural with Native American roots that ultimately proves light on suspense.

Pub Date: N/A

ISBN: 978-1944785796

Page Count: 283

Publisher: manuscript

Review Posted Online: Feb. 13, 2024

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WANT TO KNOW A SECRET?

Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.

Character assassination reigns supreme, if not uncontested, in a Long Island suburb.

April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.

Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.

Pub Date: March 3, 2026

ISBN: 9781464249600

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: Dec. 6, 2025

Kirkus Reviews Issue: Jan. 15, 2026

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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