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THE KING

Should appeal to young adults, now that Roddy’s overcome his flaws. With 1,200 pages about an adolescent virgin prince, and...

Sequel to The Still (1997) of the Rodrigo of Caledon saga. As medieval fantasy sagas go, The King is indeed smoothly written, far richer and deeper than Feintuch’s military SF Seafort series. In The Still, the queen of Caledon dies at Castle Stryx and Rodrigo is to be king. But, she tells him, the power of her magic in The Still—to find wisdom in still water—won’t be his unless he stays a virgin, never lies, and is crowned king. (Apparently, guy lovers don’t count.) But before he can be crowned, his wily uncle Margenthar, Duke of Stryx, proclaims himself regent until Rodrigo comes of age. Early readers had to put up with a hero no one could love: supreme egoist and loathsome, friendless snot, almost until novel’s end, when, after going into exile with his companion/lover Rustin, the fledgling at last sees that statesmanship will be required of him. And he now suffers from facial disfigurement: a long vertical scar not repeated in the thoughtful narcissist on The King’s book jacket. Still a prince and with Uncle Marganthar still regent, Roddy leads an army against Castle Stryx but worries that he will be trapped on the old city’s cobbled streets and slain by Norlanders. Retaking Stryx, he rejects Uncle Mar and rallies the kingdom. Meanwhile, King Hriskil’s invading Norlanders hound Roddy’s army through Caledon, and as ceaseless battles and skirmishes arise, Roddy becomes a crafty planner, skilled at squeaking out of tight spots. He can even calmly split a man’s head open with an oar. But he has shamefully squandered the envisioning power of The Still, and it deserts him. When The Still returns, its visions drive Roddy mad with grief.

Should appeal to young adults, now that Roddy’s overcome his flaws. With 1,200 pages about an adolescent virgin prince, and now king, this should be about it, although we leave Rodrigo nervously ready to marry Princess Tresa and have an heir.

Pub Date: Aug. 6, 2002

ISBN: 0-441-00902-6

Page Count: 512

Publisher: Ace/Berkley

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2002

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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DARK MATTER

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

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A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.

Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.

Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.

Pub Date: July 26, 2016

ISBN: 978-1-101-90422-0

Page Count: 352

Publisher: Crown

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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